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10. Mai 2024 · You could make a convincing argument for almost any track from Dusty in Memphis to have a place on this list, but even in such exalted company Breakfast in Bed shines. It’s a wonderful piece of ...
10. Mai 2024 · In a more just world, 1970’s From Dusty… With Love would be mentioned in the same breath as Dusty in Memphis. It’s a superb, forward-thinking album, that explores the nascent Philly soul sound with songwriter-producers Gamble and Huff. Beautifully orchestrated, with a distinct gospel undertow, closer Let’s Talk It Over is ...
10. Mai 2024 · With Love would be mentioned in the same breath as Dusty in Memphis. It’s a superb, forwardthinking album, that explores the nascent Philly soul sound with songwriter-producers Gamble and Huff. Beautifully orchestrated, with a gospel undertow, closer Let’s Talk It Over is magnificent.
Vor 4 Tagen · The latter features on the 1968 pop and soul album Dusty in Memphis, one of Springfield's defining works. In March 2020, the US Library of Congress added it to the National Recording Registry, which preserves audio recordings considered to be "culturally, historically or aesthetically significant".
5. Mai 2024 · I listened to her hits album over and over again, and I eventually bought her perfect soul album Dusty in Memphis (1969) and played those story songs over and over again, too. But it was only in the late 2000s that I started to learn more about Springfield herself and watch her perform songs on British TV shows of the 1960s. Her look ...
27. Apr. 2024 · Released in 1968, Dusty Springfield’s “Son of a Preacher Man” climbed up the charts and became an instant classic. Written by John Hurley and Ronnie Wilkins, the song is a soulful tribute to forbidden love. But what led to the creation of one of the most timeless tracks in the history of music?
7. Mai 2024 · Dusty Springfield was known for her soulful voice and romantic ballads, but one of her lesser-known tracks, “I Don’t Want To Hear It Anymore,” stands out for its emotional depth and rawness. Released in 1968, the song was written by Randy Newman and first recorded by his own band, the Tikis, in 1965. But it was Springfield’s ...
