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  1. Vor 3 Tagen · Wall of Sound. Donte Phillip Spector's "Wall of Sound" production style revolutionized popular music in the 1960s. This innovative technique involved layering multiple instruments, including strings, horns, and percussion, to create a dense and immersive sound. The "Wall of Sound" was characterized by its use of echo and reverb, which gave the ...

  2. Vor einem Tag · There's a ridiculous amount of interviews, and Howard says, "Highlights include Larry Levine (Phil Spector's longtime engineer) deconstructing the Wall of Sound and in-depth chats with Daniel Lanois, Trevor Horn, and former Beatles assistant engineers Richard Lush and John Kurlander. Hope everyone enjoys reading the book as much as I enjoyed writing it!"

  3. en.wikipedia.org › wiki › Brian_WilsonBrian Wilson - Wikipedia

    Vor 5 Tagen · According to Wilson, after his first nervous breakdown in 1964, he endeavored to "take the things I learned from Phil Spector" and maximize his instrumental palette. In Priore's assessment, Wilson reconfigured Spector's Wall of Sound techniques in the pursuit of "audio clarity" and "a more lush, comfortable feel". [498]

  4. de.wikipedia.org › wiki › ABBAABBA – Wikipedia

    Vor 2 Tagen · Tretow wurde in seiner Arbeitsweise von dem US-amerikanischen Musikproduzenten Phil Spector und seinen klangvollen Wall-of-Sound-Arrangements inspiriert. [P 72] So entstanden in den ABBA-Songs häufig völlig neuartige Klangelemente, die ohne Kenntnis dieser Herstellungstechniken so nicht kopierbar waren, wodurch ihre Lieder einen einzigartigen und unverwechselbaren Sound bekamen.

  5. Vor 5 Tagen · The productions of Phil Spector were key influences, as they introduced the possibility of using the recording studio to create music that otherwise could never be achieved. The same [ vague ] is said for the Beach Boys' Pet Sounds (1966), which Brian Wilson intended as an answer to Rubber Soul [41] and which in turn influenced the Beatles when they made Sgt. Pepper .

  6. Vor 2 Tagen · La produzione della canzone si ispira al wall of sound di Phil Spector. Archi luttuosi e un minaccioso rintocco di campana. Un’atmosfera cupa, per non dire funerea, che si contrappone a un ritmo shuffle ballabile. Per la produzione Ronson riprende proprio quei dischi degli anni ‘60 nominati da Amy Winehouse.

  7. Vor einem Tag · The ultimate embodiment of girl groups and Phil Spector’s Wall of Sound (which would become popular with acts like The Beatles, The Beach Boys, and The Byrds), and a serious contender for ...