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Vor 3 Tagen · Acoustic blues is a form of interdimensional travel. And on his new album, Naked Truth, Tinsley Ellis displays his mastery of being everywhere, all at once. I’d say that he has one foot in the red clay of the Delta and the dust of Africa, where the music arose from; another in the present, because breathing life into this style requires committed intention; and another in the future, where ...
Vor 20 Stunden · The 28 tracks recorded comprise 25 re-recordings of their earlier work, with three "new" tracks, originally from that era (and earlier), the single "Singing the Blues", along with Eddie Cochran's "C'mon Everybody" and the Frankie Ford hit "Sea Cruise". The album charted at No. 6 in the UK charts in its opening week and peaked at No. 4. The reunion tour continued into Europe in 2010. In June ...
Vor 2 Tagen · May 25, 2024 Elijah Wald. Under the Boardwalk (The Drifters) I always liked the Drifters, as who didn’t? Like most vocal group fans, I particularly liked the original line-up featuring Clyde McPhatter, a defining lead vocalist of the early Rhythm and Blues era, and I’ve paid tribute already with a version of their early hit, “ Money Honey ...
Vor 2 Tagen · They played two numbers – Yer Blues, a song that had appeared on the Beatles’ one-month-old White Album, and something called Whole Lotta Yoko – before disbanding forever. We should probably mention that Lindsay-Hogg went on to direct the Beatles’ Get Back/Let It Be film just a month later. 7. Far East Man – Ronnie Wood / George Harrison
Vor 2 Tagen · The utopian promise of “Home on the Range” for a lush and depopulated West is nearly identical to the nostalgic fantasy of “My Old Kentucky Home” for a harmonious plantation, except the “possum and coon” of the latter are exchanged for the “deer and the antelope” of the former, and the contented slaves singing in the cabin are swapped with the (white) cowboys around the fire ...
Vor 4 Tagen · Stills was an influence on Mitchell's dulcimer sound, since she first discovered the instrument at Big Sur in 1969. Mitchell had observed Stills' aggressive, rhythmic style and transformed it into a unique rawness. She embraced her new sound, which can be heard on the 1970 album Blue.
