Yahoo Suche Web Suche

  1. The Film Scorer podcast features interviews with the best film score composers. Guests include Tim Hecker, Patrick Stump, and Oscar winners and nominees - listen now!

Suchergebnisse

  1. Suchergebnisse:
  1. Vor einem Tag · Recently, I had the pleasure (or displeasure, depending on who is reading this) of viewing Tinto Brass’ Caligula (1979) for the first time. The film examined a man’s descent into madness at the height of his power through increasingly deranged displays of debauchery; it was definitionally a spectacle. The film’s reputation proceeds itself ...

  2. Vor 13 Stunden · Tinto Brass contrairement à d'autres films, situe son récit dans le monde contemporain et notamment dans la modernité londonienne mais avec une notion d'exotisme non dissimulé, d'autant que la ...

  3. Vor 3 Tagen · Tinto Brass stands as a provocative and influential figure in the history of cinema. His films, with their bold themes and striking visuals, captivate audiences and spark debate. Whether exploring the decadence of Ancient Rome or delving into the complexities of human desire, Brass's work remains as relevant and thought-provoking as ever. Early Life Tinto

  4. Vor 3 Tagen · Is The Midnight Sky streaming? Find out where to watch online amongst 45+ services including Netflix, Hulu, Prime Video.

    • George Clooney
    • PG-13
    • 5
  5. Vor einem Tag · „Das Bildnis des Dorian Gray“, „Der Garten der Finzi Contini“, den Skandalstreifen „Salon Kitty“ von Tinto Brass und Viscontis „Gewalt und Leidenschaft“ . Und natürlich „Ludwig II.“, seine vielleicht größte Rolle. Das vierstündige Visconti-Epos folgt dem Bayernkönig von dessen Krönung bis zu seinem nassen Tod im Starnberger See. Franz Josef Strauß übte scharfe ...

  6. Vor 2 Tagen · Описание: Режиссер Тинто Брасс пребывает в творческом кризисе ему нужны новые идеи для очередного шедевра. Маэстро решает ознакомиться с обширной почтой, которой его заваливают поклонницы.

  7. Vor 13 Stunden · With recent films like Poor Things (2023), Oppenheimer (2023), and Dune: Part Two (2024) containing elements of the film in black and white, it’s worth exploring the use of it within Smith’s film. Serving as cinematographer, Smith uses color in the documentary scenes and monochrome for the rest of the film. Visually, it helps separate the sequences, denoting one that’s presented as being ...