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  1. Vor 3 Tagen · Verfolgt - Das Maskottchen von Auschwitz. Es ist eine ergreifende Lebensgeschichte wie wenige. Sie erzählt von Verfolgung und Rettung, von Selbstbehauptung und einer zweiten Verfolgung. Die ...

  2. Vor 3 Tagen · Auschwitz, Nazi Germany’s largest concentration camp and extermination camp. Located near the town of Oswiecim in southern Poland, Auschwitz was actually three camps in one: a prison camp, an extermination camp, and a slave-labor camp. Between 1.1 and 1.5 million people died there; 90 percent of them were Jews.

    • Michael Berenbaum
    • Auschwitz – Out of the Ashes1
    • Auschwitz – Out of the Ashes2
    • Auschwitz – Out of the Ashes3
    • Auschwitz – Out of the Ashes4
    • Auschwitz – Out of the Ashes5
  3. Vor 4 Tagen · This internationally acclaimed revelatory history--"filled with first-person accounts from articles and diaries" (The New York Times)--of the transformational decade that followed World War II illustrates how Germany raised itself out of the ashes of defeat and reckoned with the corruption of its soul and the horrors of the Holocaust ...

  4. Vor 5 Stunden · When the Nazis took over the city a few weeks after the outbreak of World War II, in September 1939, this priceless treasure trove of Jewish knowledge fell into German hands.

  5. Vor 3 Tagen · Das ist ihnen nicht gelungen. Ich lebe noch!" Vier Monate nach den Dreharbeiten in Auschwitz ist Dany Dattel gestorben. (Quelle: Arte, übermittelt durch FUNKE Programmzeitschriften) "Verfolgt - Das Maskottchen von Auschwitz" im TV: Alle Infos nochmal auf einen Blick. Thema: Dokumentation. Bei: Arte. Produktionsjahr: 2023. Länge: 90 Minuten ...

  6. Vor 2 Tagen · Until the formation of Israel in 1948, we were a “people without a land” – in exile from our historic homeland. When I was taught the story of Israel, however, I did not learn that the land ...

  7. Vor einem Tag · Some critics have taken umbrage with the Cannes Competition title and its approach to its portrayal of horrifying scenes. The Screen Daily review wrote, “The worst decision comes in a late sequence showing still, stylized black and white images of the faces of the Auschwitz dead: hellish visions that are crassly coercive in their attempt to elicit stunned horror.