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  1. Jackie Cain kam 1946 nach Chicago und traf dort den Pianisten Roy Kral, mit dem sie seitdem arbeitete und den sie 1949 heiratete. 1948/49 und erneut im Jahr 1953 spielten sie im Orchester von Charlie Ventura, mit dem sie für GNP aufnahmen.

  2. en.wikipedia.org › wiki › Jackie_CainJackie Cain - Wikipedia

    The couple soon began performing together in clubs in Chicago, and in 1949 they married. They recorded nearly forty albums for record labels such as Columbia and Verve. Cain died at her home in Montclair, New Jersey, aged 86, on September 15, 2014, from complications of a stroke she suffered in 2010. Critical reception

  3. 20. Mai 2009 · May 20, 2009. Interview: Jackie Cain (Part 3) Working with Charlie Ventura in 1948 and 1949 thrust Jackie Cain and her singing partner Roy Kral into a high-anxiety environment.

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  4. 25. Aug. 2011 · Jackie Cain, a vocalist who gave bebop a carefree vocalese spin in the late 1940s with her singer-pianist husband Roy Kral and, as Jackie and Roy, became one of the most beloved jazz-pop singing duos and recording artists of the 1950s and beyond, died Sept. 15 at her home in New Jersey. She was 86. Throughout her career, Jackie was ...

  5. 22. Jan. 2024 · Jackie Cain ; Roy Kral ; Charlie Ventura: vocalist : Decca: 84425: 5/5/1953: The honey jump, part 2: Jackie Cain ; Roy Kral ; Charlie Ventura: vocalist : Decca: 85915: 3/1/1954: Banana split: Jackie Cain ; Roy Kral: vocalist : Decca: 85916: 3/1/1954: Pa! Take me to the circus: Jackie Cain ; Roy Kral: vocalist : Decca: 85917: 3/1/1954 ...

  6. 25. Juni 2019 · 1949 Charlie Ventura - Lullaby In Rhythm (Jackie Cain & Roy Kral, vocal) - YouTube. The78Prof. 51.4K subscribers. 72. 3.6K views 4 years ago. Revival of the 1938 Benny Goodman hit by the...

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  7. 22. Jan. 2024 · Records like "Euphoria" (1947, Savoy) and "East of Suez" (1949, Coral) display a thoughtful synthesis of male (Roy Kral) and female (Jackie Cain) voices within the context of the modern jazz small band, using the singers as part of the ensemble at Openings, closings, and transitions between instrumental solos.