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  1. 21. Feb. 2014 · From the Kats Album "GET MODERN", a "Power Pop" extravaganza that helped define the prolific music scene in L.A. during the 80's. Get Modern was recorded at Shelter Studios, Hollywood in...

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    • Paul Volk
  2. en.wikipedia.org › wiki › Freddy_MooreFreddy Moore - Wikipedia

    Frederick George Moore (July 19, 1950 – August 25, 2022) was an American musician best known for his 1980 song "It's Not a Rumour", which he co-wrote with his ex-wife Demi Moore, and recorded with his band The Nu-Kats. The song was not a chart hit, but the video did receive airplay on MTV in the early 1980s.

  3. en.wikipedia.org › wiki › Get_ModernGet Modern - Wikipedia

    The Kats – Get Modern is an album by The Kats that was recorded at Shelter Studios, Hollywood, in 1979. The album was produced and engineered by Noah Shark and Max Reese. It was intended for release on Infinity Records, but the label went out of business before the album could be released.

  4. Freddy Moore, a first-rate singer who punctuates his solid gutsy vocal delivery with earthy growls, is complimented by his brother Bobbyzio's unbridled passion on saxophone. The Kats uniqueness is largely the result of their engaging concept -- an individual appropriately named Freddy , an underdog or in this case an underKat.

  5. 18. Juli 2013 · Freddy Moore, a first-rate singer who punctuates his solid gutsy vocal delivery with earthy growls, is complimented by his brother Bobbyzio's unbridled passion on saxophone. The Kats uniqueness is largely the result of their engaging concept -- an individual appropriately named Freddy, an underdog or in this case an underKat. Buoyed ...

  6. Freddy Moore (Geburtsname: Frederick George) ist ein amerikanischer Rockmusiker und der erste Ehemann der Schauspielerin Demi Moore, mit der er Songs schrieb. Moore wurde in Minneapolis, Minnesota, geboren und wuchs neben dem kurzen Umzug seiner Familie nach San Francisco, Kalifornien, 1964/65 in der Region Twin Cities auf.

  7. The Kats - Get Modern album. Recorded and mixed at Shelter Studios by Noah Shark and Max Reese in 1979 for Infinity Records (Re-released on General Records)