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  1. en.wikipedia.org › wiki › James_CottonJames Cotton - Wikipedia

    1967: The James Cotton Blues Band ; 1968: Cut You Loose! (Vanguard) 1968: Pure Cotton (Verve) 1968: Cotton in Your Ears (Verve) released 1969; 1970: Taking Care of Business ; 1974: 100% Cotton, with Matt "Guitar" Murphy ; 1975: High Energy, with Matt "Guitar" Murphy (Buddah) 1976: Live & On the Move, with Matt "Guitar" Murphy (Buddah)

  2. 100% Cotton, an Album by The James Cotton Band. Released in 1974 on Buddah (catalog no. BDS-5620; Vinyl LP). Genres: Electric Blues, Rhythm & Blues, Chicago Blues. Rated #978 in the best albums of 1974. Featured peformers: Matt "Guitar" Murphy (guitar), Charles Calmese (bass), Kenny Johnson (drums), Little Bo (saxophone), Al Datoli (producer ...

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    • 1974
    • The James Cotton Band
    • 3.62 / 5.00.5from 63 ratings
  3. 19. Juni 2018 · The group’s 1974 album, “100% Cotton,” included two songs written by Mr. Murphy. Mr. Murphy formed his own band in the 1980s and recorded three albums as a leader between 1990 and 2000.

  4. Murphys crisp picking matched Cotton ’s high-energy blowing on the harpist’s 1974 Buddah album 100% Cotton (the guitarist penned a nonstop “Boogie Thing” for the set). From there, it was on to aiding and abetting John Belushi and Dan Aykroyd’s antic mugging, both on-stage and in the Blues Brothers flick.

    • 100% Cotton Matt Murphy1
    • 100% Cotton Matt Murphy2
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  5. View credits, reviews, tracks and shop for the CD release of "100% Cotton" on Discogs.

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  6. Matt and Slim were part of the triumphant Blues Festival tour of Europe in 1963, where he dazzled the crowds with ‘Matt’s Guitar Boogie’. When Slim decided to stay in Paris, the second half of their musical partnership became a long-distance affair, but back in Chicago Matt took up with James Cotton, and the ‘100% Cotton’ album shows how they sparked off each other.

  7. Murphys crisp clean finger work would go note for note with Cottons wicked harp and is especially tasty on the 1974 release of 100 % Cotton, which landed in Billboard magazine’s top 200 albums; something very rare for a blues record.