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The Aesthetic Dimension: Toward a Critique of Marxist Aesthetics (German: Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik) is a 1977 book on aesthetics by the philosopher Herbert Marcuse, in which the author provides an account of modern art's political implications and relationship with society at large.
- Herbert Marcuse
- Germany
- 1977
- Die Permanenz der Kunst: Wider eine bestimmte marxistische Ästhetik
9. Sept. 2015 · The aesthetic dimension : toward a critique of Marxist aesthetics : Marcuse, Herbert, 1898-1979 : Free Download, Borrow, and Streaming : Internet Archive.
The Aesthetic Dimension. Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
The Aesthetic Dimension: Aesthetics, Politics, Knowledge. Jacques Rancie`re. How should we understand the syntagm of my title? Obviously it is not a question of claiming that politics or knowledge must take on an aesthetic dimension or that they have to be grounded in sense, sensation, or sensi-bility.
Reader Elliott Green (German major at Princeton, MPhil student in Development Studies at the London School of Economics) wrote on Amazon: "Herbert Marcuse, original member of the so-called 'Frankfurt School', here presents a critique of Marxist aesthetics in one of his last books.
18. Dez. 2013 · In his last book The Aesthetic Dimension (1978), Marcuse continues his attempt to rescue the radical transformative nature of art. In this text he takes a polemical stance against the problematic interpretation of the function of art by orthodox Marxists. These Marxists claimed that only proletarian art could be revolutionary ...
Developing a concept briefly introduced in Counterrevolution and Revolt, Marcuse here addresses the shortcomings of Marxist aesthetic theory and explores a dialectical aesthetic in which art functions as the conscience of society.
