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  1. Booth and the Bad Angel was a British musical project based on the collaborative efforts of Tim Booth (lead singer with the British alternative rock band James) and the American film composer Angelo Badalamenti. Featuring Bernard Butler on guitar, the project's eponymous album was released in July 1996.

  2. 25. Apr. 2015 · When the pairing was confirmed Bernard Butler from Suede was approached to mix the album and play guitar. After almost a year of solid work Booth And The Bad Angel was finally ready to face the world. The album opens with the emotional bombast of lead single I Believe (which reached No. 25 in the UK official charts).

  3. View credits, reviews, tracks and shop for the 1996 CD release of "Booth And The Bad Angel" on Discogs.

    • (2)
    • CD, Album, Misprint
    • Europe
    • Fontana-526 852-2
  4. Booth and the Bad Angel was a one-off collaboration between two mutual admirers, lyricist/vocalist Tim Booth (of James) and arranger/composer Angelo Badalamenti (a frequent soundtracker for David Lynch ), plus the efforts of Suede guitarist Bernard Butler.

  5. 1. Juli 1996 · Initial recording took place in a six-week period at the end of 1995 with more sessions in London in early 1996 including Bernard Butler, ex-Suede guitarist, on guitar. Reviews I-Music.com by Mike Pattenden. Booth And The Bad Angel is the name given to the collaborative project by vocalist Tim Booth and composer Angelo Badalamenti ...

  6. Booth And The Bad Angel. Tim Booth collaborated with Angelo Badalamenti in 1996 for an album entitled Booth And The Bad Angel which also featured Bernard Butler, former guitarist from Suede. The collaboration came about as a result of a question posed by the organisers of Channel 4’s Live At The Dome when Tim was asked who he would most like ...

  7. Booth and the Bad Angel. 1996 CD Fontana / 526 852-2. drakkar Mar 11 2020. James vocalist Tim Booth, jazz bassist Mark Egan, Suede guitarist Bernard Butler, drummer Graham Hawthorne, and soundtrack guru Angelo Badalamenti with a fairly diverse post-modernish album that sounds pretty much half James and half Twin Peaks.