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  1. en.wikipedia.org › wiki › Jimmie_NooneJimmie Noone - Wikipedia

    Vocalion, Decca. Jimmie Noone (April 23, 1895 – April 19, 1944) [1] was an American jazz clarinetist and bandleader. After beginning his career in New Orleans, he led Jimmie Noone's Apex Club Orchestra, a Chicago band that recorded for Vocalion and Decca. Classical composer Maurice Ravel acknowledged basing his Boléro on an improvisation by ...

  2. Jimmie (Jimmy) Noone (* 23. April 1895 in Cut Off bei New Orleans; † 19. April 1944 in Los Angeles) war US-amerikanischer Klarinettist des traditionellen Jazz. Noone, dessen Ton als weich und romantisch beschrieben wird, galt neben Johnny Dodds und Sidney Bechet als einer der besten Klarinettisten der 1920er Jahre.

  3. 19. Apr. 2024 · Jimmie Noone (born April 23, 1895, near New Orleans, Louisiana, U.S.—died April 19, 1944, Los Angeles, California) was an American jazz clarinetist noted for his lyricism and refinement of technique. He is one of the three principal clarinetists of early jazz, the other two being Johnny Dodds and Sidney Bechet.

    • The Editors of Encyclopaedia Britannica
  4. 31. Juli 2021 · The Ollie Powers Harmony Syncopators, playing at the Vendome Theater, most likely around 1923. Jimmie Noone made his recording debut (as did so many top African-American jazz greats) in 1923.

  5. He broke out the gate into professional music in 1913 upon joining Freddie Keppard 's Olympia Band which he followed to Chicago where joined Ollie Powers' Harmony Syncopators, the latter with which he contributed to five takes of 'Play That Thing' in September of 1923 as documented by Scott Alexander (Red Hot Jazz) and Tom Lord. Between all ...

  6. 29. Mai 2013 · 1944. Language. English. From the David W. Niven Collection of Jazz History, a cassette recording from the Jazz artist Jimmie Noone, from the era of 1923-1944. Tape 1. Recorded with a TEAC AD-500 cassette deck, a desktop computer with a modern SoundBlaster sound card, and the audio recording program GoldWave.

  7. Jimmie Noone (1895-1944) has been an enigmatic figure in the early history of jazz. On the one hand his credentials are nearly unsurpassed: a clarinet student of the influential musician and teacher Lorenzo Tio, Jr., and of Sidney Bechet; a performer frequently selected for jazz work.