Suchergebnisse
Suchergebnisse:
Jennifer Kimball – background vocals; John Gorka – background vocals; Richard Shindell – background vocals; Ben Wittman – organ, drums, percussion; Production notes: Ben Wittman – producer, engineer; Hillary Johnson – engineer; James Tuttle – engineer; Alan Williams – engineer; Ben Wisch – mixing; Grace Falconer ...
Jennifer Kimball; Album Year Label Notes References Grace in Gravity: 1991 part of The Story: Angel in the House: 1993 Elektra: part of The Story: Veering from the Wave : 1998 Philips; Imaginary Road solo debut album Oh Hear Us: 2006 Epoi ...
Lucy Kaplansky: Ten Year Night by George Graham (Red House 126 As broadcast on WVIA-FM 4/7/99) ... Jennifer Kimball, formerly of the Story, and Richard Shindell. While the outward sound of this CD -- a laid-back acoustic/electric mix -- is now becoming m ...
Ten years had passed since acclaimed Somerville-based singer songwriter Jennifer Kimball (who was one-half of the late '80s/early '90s outfit The Story) released her last record. Ten long years. Lucky for us, she was granted a unique birthday gift, and out of said gift came "Avocet." Kimball will be celebrating that release and more when she plays at the Book and Bar in Portsmouth on Tuesday ...
The Story's Jennifer Kimball Makes Folk Music for the New Century. Musician Jennifer Kimball releases first album in Ten Years. NPR interview with Lisa Mullins WBUR. Gift started it all for singer-songwriter Jennifer Kimball. Songbird.
With help from guitarists Larry Campbell and Duke Levine, drummer/producer Ben Wittman, and vocalists Gorka, Shindell and Jennifer Kimball, Kaplansky’s brilliantly personal story-songs are brought to shimmering life. From the unshackled women of “Five In The Morning” and “Turn The Lights Back On”, to the guilt-ridden daughter of ...
Led by singer-songwriters Jennifer Kimball (the Story), Ry Cavanaugh (Vinyl Avenue String Band) and drummer Billy Beard (Patty Griffin, Kim Richey, Family Jewels), the Cambridge-based group's debut What Matters pushes folk's acoustic envelope with a low-end sound built around Beard's subtly propulsive cocktail-kit drumming and Cavanaugh's baritone guitar. As if that and the contrast of Kimball ...
