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  1. 23. Apr. 2015 · Suite Vénitienne was the resulting book, first published in 1979 and re-released this month in collaboration with Siglio. Calle documents her attempts to follow her subject. She phoned hundreds of hotels, even visited the police station, to find out where he was staying, and persuaded a woman who lived opposite to let her photograph ...

    • Harriet Baker
  2. 31. Jan. 2019 · Suite Vénitienne (1980-1994) ist eines der frühen Schlüsselwerke der französischen Künstlerin Sophie Calle (1953, Paris). Es handelt sich um die heimliche Beschattung eines ihr nur wenig bekannten Mannes in Venedig, dokumentiert mithilfe zahlreicher, die Authentizität der Geschichte…

  3. ‘Venetian Suite’, Sophie Calle, 1980, 1996. Skip navigation. Shop. Become a Member. Main menu. Art and artists . Our collection Artists Artworks Art by theme Explore ...

  4. 1. Mai 2017 · Suite Vénitienne feels light in the best possible way, even though the work itself doesn’t. This is not to say that the work is grave. It’s not. But it’s conceptual in the way that all of Sophie Calle’s work is conceptual, while being light and infused with deep humanity at the same time. It is, in other words, a far cry of, let’s ...

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  5. This Siglio reissue is a completely new iteration of Suite Vénitienne, designed in collaboration with Calle, to be the definitive English-language edition. Printed on Japanese paper with a die-cut hard cover and gilded edges, this new, beautiful Siglio edition allows readers to devour this compelling and crucial work.

    • Artist: Sophie Calle
    • Siglio Press
    • 1st edition
    • 2015
  6. 25. Nov. 1998 · Nouvelle suite vénitienne. 1984. 58m. YOUR RATING. Rate. Drama. Add a plot in your language. Director. Pascal Kané. Writers. Sophie Calle. Pascal Kané. Star. Anne Alvaro. See production info at IMDbPro. Add to Watchlist. Photos. Add photo. Top cast. Anne Alvaro. Director. Pascal Kané. Writers. Sophie Calle. Pascal Kané. All cast & crew.

  7. Le statut d’œuvre désormais accordé aux deux projets, Suite vénitienne (1980) et Les Dormeurs (1979), un nouveau mode de présentation, sous forme de photographies et de textes, est envisagé. Par sa seule intention, Sophie Calle opère le passage: la distraction devient démarche artistique et les documents, œuvres.