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  1. Cookin’ with the Miles Davis Quintet ist ein Jazz -Album, das im Oktober 1956 vom Miles Davis Quintet aufgezeichnet und von Prestige Records im darauffolgenden Jahr veröffentlicht wurde. Es ist das erste von vier Alben, das aus den legendär gewordenen Aufnahme-Sessions vom 11. Mai und 26.

  2. Cookin' with the Miles Davis Quintet is a studio album by the Miles Davis Quintet which was released in July 1957 through Prestige Records. [1] [2] The recording sessions were at Rudy Van Gelder 's studio in Hackensack, New Jersey in 1956. As the musicians had to pay for the studio time (a result of a rather modest contract with Prestige ...

    • Jazz
  3. 26. Feb. 2007 · The tune stayed in Davis' live book for nine years—until well after his second great quintet with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams had announced the dawning of a new age with ESP (CBS, 1965)—and here Davis reveals his defining take on its beauty for the very first time.

  4. The recording was made at Columbia's 30th Street Studio over four dates between June 7 and July 19, 1967, the album was Davis' last fully acoustic album. Davis himself did not contribute any compositions – three were written by tenor saxophonist Wayne Shorter, two by pianist Herbie Hancock, and one by drummer Tony Williams.

  5. Ratings: 1474. Miles Davis - Cookin´ With The Miles Davis Quintet (1957) (Full Album) Explore the tracklist, credits, statistics, and more for Cookin' With The Miles Davis Quintet by The Miles Davis Quintet. Compare versions and buy on Discogs.

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  6. 13. Dez. 2021 · Davis' second great quintet is likewise agreed to be the one with tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams —which recorded another string of classics, exclusively for Columbia, beginning with Miles In Berlin, recorded in autumn 1964, and ending with three of the tracks on Filles De Kil...

  7. Initially with George Coleman or Sam Rivers on tenor sax, the final member of the quintet arrived in late 1964 when saxophonist Wayne Shorter joined. The performance style of the Second Great Quintet was often referred to by Davis as "time, no changes", incorporating elements of free jazz without