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Cootie Williams ist einer der bedeutendsten und kreativsten Jazztrompeter der Swing-Ära. Sein Spiel stand (wenn er ohne Dämpfer spielte) unter dem Einfluss von Louis Armstrong, sein Markenzeichen aber wurde sein Growl -Spiel mit dem Plunger-Dämpfer, mit dem er den von Bubber Miley begründeten Stil perfektionierte und über Jahrzehnte ...
In 1940, Williams joined Benny Goodman 's orchestra, a highly publicized move that caused quite a stir at the time [5] (commemorated by Raymond Scott with the song "When Cootie Left the Duke"), [6] then in 1941 formed his own orchestra, in which over the years he employed Charlie Parker, Eddie "Lockjaw" Davis, Bud Powell, Eddie ...
2. Okt. 2016 · 1939-06-12. Topics. Jazz, swing, small group jazz, 1930s. Cootie Williams and his Rug Cutters perform Night Song in this recording made on June 12, 1939. From the original 78rpm disk, which has a few small spots of noise near the beginning. Addeddate. 2016-10-02 01:10:25. Identifier. CootieWiliamsRugCuttersNightSong1939. Scanner.
27. Juli 2013 · A beautiful rendition that shows that Cootie Williams' abilities went beyond playing "jungle style." Part of the Duke Ellington sideman recordings from the ...
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Moods and Themes. 1941-1944 [Classics] by Cootie Williams & His Orchestra released in 1995. Find album reviews, track lists, credits, awards and more at AllMusic.
25. Okt. 2019 · Composed and arranged by Duke Ellington. Recorded by Duke Ellington and His Orchestra for Victor on March 15,1940 in Chicago. Duke Ellington, piano, directing: Wallace Jones, first trumpet; Rex Stewart, cornet; Cootie Williams, solo trumpet; Juan Tizol, first (valve) trombone; Joseph Nanton and Lawrence Brown, trombones; Otto ...
25. März 2024 · He also excelled with the Harmon mute, deftly displayed on ”Peckin”, while he blasts into the stratosphere on the wild “Tootin’ Through The Roof”. Williams’ tour de force has to be 1940s “Concerto For Cootie” where he alternates styles and tones as if he were having a conversation with himself.
