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Masoud Kimiai (or Masoud Kimiaei, Persian: مسعود کیمیایی, born 29 July 1941) is an Iranian director, screenwriter and producer . Biography. Kimiai started his career as an assistant director and made his debut, Come Stranger, in 1968.
- 1968–present
- 2, including Poulad Kimiayi
Masoud Kimiai ( persisch مسعود کیمیایی; * 29. Juli 1941 in Teheran, Iran) ist ein iranischer Drehbuchautor und Filmregisseur . Inhaltsverzeichnis. 1 Leben. 2 Filmografie. 3 Weblinks. 4 Einzelnachweise. Leben. Kimiai erlangte seinen Bachelor- und Masterabschluss in Soziologie an der Universität Teheran.
مسعود کیمیایی (زادهٔ ۷ مرداد ۱۳۲۰) فیلم‌ساز و نویسندهٔ ایرانی است. او یکی از فیلمسازان برجستهٔ ایران و از چهره‌های اصلی موج نوی سینمای ایران به‌شمار می‌رود. [۱] او را کارگردانی مؤلف و تأثیرگذار دانسته‌اند که در شکل‌گیری اقتصاد سینما در ایران نقشی مهم داشته‌است.
- کارگردان, فیلم‌نامه‌نویس, تهیه‌کننده, تدوین‌گر
- فهرست کامل
- ۱۳۴۰–اکنون
Masud Kimiai. Director: Snake's Fang. Massoud Kimiaei was born in Tehran in 1941. He became well known when in 1969 he directed his second film, Gheisar (1969), which was considered a turning point in the Iranian cinema; he depicted the ethics and morals of the romanticized poor working class of the Croesus' Treasure (1965) genre through his ...
- January 1, 1
- Director, Writer, Producer
- Teheran, Iran
- Masud Kimiai
5. Feb. 2024 · Masoud Kimiai or Kimiaei (29 July, 1941) is a director, screenwriter, and producer in Iranian cinema. He embarked on his film journey as an assistant director to Samuel Khachikian in “” Khudāhāfiz Tihrān (Farewell to Tehran, 1966).
Masoud Kimiai or Masud Kimiaei (Persian: مسعود کیمیایی, born 29 July 1941 in Tehran) is an Iranian director, screenwriter and producer. Kimiai started his career as an assistant director and made his debut, Come Stranger, in 1968. With his second film, Qeysar (1969), he and Dariush Mehrjui with The film The Cow, caused a ...
Back to top. Masoud Kimiai (born 29 July 1941) is one of the most well-known filmmakers in Iranian cinema. Many critics regard his film “Qeysar” as the sole instigator behind the Iranian New Wave. His fans laud him as the greatest Iranian filmmaker, and his critics find his cinema inherently reactionary, if not dangerous.
