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  1. Christopher Doyle ist ein in Hongkong lebender Kameramann, Fotograf, Regisseur, Drehbuchautor und gelegentlicher Schauspieler. Während seiner Zusammenarbeit mit Regisseur Wong Kar-Wai entwickelte er einen improvisierenden und äußerst beweglichen Filmstil und prägte damit eine Generation von Filmemachern in Asien.

  2. Doyle is also known for other films such as Temptress Moon, Hero, Dumplings, and Psycho. He has won awards at the Cannes Film Festival and Venice Film Festival , as well as the AFI Award for cinematography, the Golden Horse award (four times), and the Hong Kong Film Award (six times).

    • 1978–present (photographer);, 1983–present (cinematographer)
    • Cinematographer, actor, photographer, and film director
  3. 24. Apr. 2014 · Christopher Doyle: a legend in his own Y-fronts. Alex Godfrey. The straight-talking cinematographer rants about Martin Scorsese, raves about Juno Temple and christens himself the Keith Richards...

  4. Christopher Doyle is an Australian-born cinematographer and actor who has worked on films such as Hero, In the Mood for Love and 2046. He has won 60 awards and been nominated for 51 more, and is known for his use of bright and vivid colors.

    • January 1, 1
    • 2 Min.
    • Sydney, New South Wales, Australia
  5. 11. Okt. 2021 · 146. 4.3K views 2 years ago. Australian cinematographer Christopher Doyle talks about how time operates in his filmmaking, how life experience has shaped his work, the role of repetition,...

    • 13 Min.
    • 4,8K
    • ACMI Collection
  6. 6. Dez. 2019 · The legendary cinematographer shares his insights on his eclectic career, from Wong Kar-wai to Edward Yang, and his advice for aspiring filmmakers. He also reveals his adventures as a doctor of Chinese medicine, a cowboy, and an oil-driller.

  7. Christopher Doyle ist ein in Hongkong lebender Kameramann, Fotograf, Regisseur, Drehbuchautor und gelegentlich auch Schauspieler. Während seiner Zusammenarbeit mit Regisseur Wong Kar-Wai entwickelte er einen improvisierenden und äußerst beweglichen Filmstil und prägte damit eine Generation von Filmemachern in Asien.