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Art of Duo: Conversations with Myself & Further Conversations With Myself. Bill Evans. AllMusic Rating. User Rating (0) Your Rating. STREAM OR BUY: Release Date. 2003. Duration. 01:18:55. Genre. Jazz. Styles. Cool, Jazz Instrument, Piano Jazz, Post-Bop. Recording Date. 1963 - 1967. Discography Timeline. See Full Discography.
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1981 — US. Vinyl —. LP, Album. Explore the tracklist, credits, statistics, and more for Further Conversations With Myself by Bill Evans. Compare versions and buy on Discogs.
- (93)
- Jazz
- 77
- Post Bop, Modal
V-8727. US. 1967. View credits, reviews, tracks and shop for the 2016 File release of "Further Conversations With Myself" on Discogs.
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- New Jazz Conceptions
- Everybody Digs Bill Evans
- Portrait in Jazz
- The Complete Village Vanguard Recordings, 1961
- Interplay
- Conversations with Myself
- Trio 64
- The Tony Bennett/Bill Evans Album
- You Must Believe in Spring
- We Will Meet Again
William John Evans was born on August 16 1929 in Plainfield, New Jersey, where he learned piano, violin, flute and piccolo as a child. He studied formal classical music at Southeastern Louisiana University and the Mannes College of Music, as well as doing a stint in an army band. During this period he was exposed to the music of Milhaud, Stravinsky...
Keepnews had been pestering him to record a second album, but the famously modest and self-critical Evans felt that he “had nothing new to say”. In 1959 he relented and made Everybody Digs Bill Evans, the cheekily boastful title of which – as well as the glowing quotes on the front cover from Miles Davis, Ahmad Jamal, George Shearing and Cannonball...
In mid-1959 Evans formed a new band with Paul Motian and virtuoso bassist Scott LaFaro. That December the trio recorded Portrait in Jazz, a brilliant set of seven songbook standards and two original compositions. The interpretation of the standards is mysteriously impressionistic, with the themes sometimes barely referred to, yet the music remains ...
In the summer of 1961 the Bill Evans Trio with Scott LaFaro and Paul Motian recorded live at the Village Vanguard, the legendary jazz club of Greenwich Village, New York. The band’s approach was groundbreaking in the context of the piano trio tradition: where previous groups had tended to feature the piano player very much at the forefront, here th...
Bill Evans is best known for his inward-looking, quietly playful trio recordings. But Interplay, recorded in 1962, sees him in a harder-edged quintet setting, with super-swinging hard bop the order of the day. A very young Freddie Hubbard plays particularly stunning trumpet solos on “Wrap Your Troubles in Dreams” and Evans’ up-tempo arrangement of ...
Evans had moved from Riverside to a bigger label in Verve Records, and in 1963 he recorded Conversations With Myself, an overdubbed solo piano album. On each of the ten tunes he laid down three piano tracks on top of each other, so was in effect improvising with, responding to and accompanying himself. This approach was mildly controversial, with s...
Evans was hit hard by the death of LaFaro, both personally and musically. It seemed as though he had found the perfect combination of personalities in the LaFaro-Motian rhythm section, and replacing the bassist would now be tough. Trio 64 is one of his best-known efforts from this period. It features Motian on drums again, plus Gary Peacock on doub...
Tony Bennett might seem an unusual collaborative partner for Evans. The Italian-American crooner was used to making hits fronting big bands and expansive orchestrasso, on paper at least, a duo record with this uniquely introspective jazz pianist might seem like an odd match. But this 1975 album is a cult classic: a highlight of both of these artist...
One of Bill Evans’ most significant musical relationships in the later half of his career was with Puerto Rican double bassist Eddie Gomez. Made in 1977 for Warner Bros, this was Gomez’s final recording with the pianist, completing a prolific 11-year stint. The pair had cut over 20 albums together along with various drummers, including, notably, th...
Bill Evans made this, his final studio recording in 1979, shortly after the suicide of his older brother Harry, who was aged 52 and had suffered with schizophrenia. Bill was deeply affected by Harry’s death and made this double Grammy Award-winning album as a tribute. It features a two horn frontline, with Larry Schneider on tenor and soprano saxop...
View credits, reviews, tracks and shop for the 1999 CD release of "Further Conversations With Myself" on Discogs.
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- Europe
- 12
- CD, Album, Reissue
Die im Overdub-Verfahren aufgenommenen Alben “Conversations With Myself” und “Further Conversations With Myself” zählen mit zu Evans’ spannendsten Aufnahmen. 1970 verließ Evans das Verve-Label und konzentrierte sich in der Folge wieder mehr auf das Spiel im Trio.
Creed Taylor. Bill Evans chronology. The Gary McFarland Orchestra. (1963) Conversations with Myself. (1963) Plays the Theme from The V.I.P.s and Other Great Songs. (1963) Conversations with Myself is a 1963 album by American jazz musician Bill Evans .
