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History. Origins. The Jazz Messengers (1954–56) The "Second" Messengers (1956–58) Art Blakey and the Jazz Messengers (1959–64) The "New" Messengers (1964–66) The Fallow Decade (1966–76) Messengers rejuvenation (1976–90) Discography. Former members. Notes. References.
The Jazz Messengers. Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. [1] [2] [3] One of the key hard bop musicians of the 1960s and a cornerstone of the Blue Note label, [1] Morgan came to prominence in his late teens, recording with bandleaders like John Coltrane, Curtis Fuller ...
11. Okt. 2021 · Monday, October 11, 2021. In his short but eventful life, trumpeter Lee Morgan rocketed to the highest echelons of jazz in double-quick time – playing with and Art Blakey as a teenager and recording with John Coltrane. Stuart Nicholson dives deep into the difficult truths behind this most mercurial of jazz musicians and assesses his legacy today.
Lee Morgan (* 10. Juli 1938 in Philadelphia; † 19. Februar 1972 in New York City) war ein amerikanischer Jazz - Trompeter, der als einer der wichtigsten Exponenten des Hard Bop gilt. Inhaltsverzeichnis. 1 Leben. 2 The Power of Badness. 3 Kommerzieller Erfolg. 4 Die letzten Jahre. 5 Ausgewählte Diskografie. 5.1 Bandleader. 5.2 Sammlungen.
18. Apr. 2024 · Lee Morgan (born July 10, 1938, Philadelphia, Pennsylvania, U.S.—died February 19, 1972, New York City, New York) was an American jazz improviser-songwriter, a lyric artist, who was the most expressive trumpet virtuoso of the bop idiom and one of its most popular performers.
- The Editors of Encyclopaedia Britannica
13. Okt. 2009 · For more than 30 years, from the mid-1950s until his death in 1990, he led The Jazz Messengers, a band which became a sort of graduate school and springboard for some of the greatest jazz players...
In his early days as a teen prodigy, Morgan was a busy soloist with a taste for long, graceful lines, and honed his personal style while serving an apprenticeship in Art Blakey’s Jazz Messengers. As his original compositions began to take in elements of blues and R&B, he made greater use of space and developed an infectiously funky rhythmic sense.
