Suchergebnisse
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Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Benedetti’s Shostakovich and Glazunov. Nicola Benedetti’s view of the Shostakovich is poised and flowing, rather than raw and edgy. Of course, the music has the raw and edgy part more or less built in, so hers is an entirely valid approach.
Sensational violinist Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (No. 1). This new recording follows Benedetti’s chart-topping success with Bruch’s Scottish Fantasy (Homecoming, 2014) and Korngold’s Violin Concerto (Silver Violin, 2012).
Following her chart-topping success with Homecoming, Nicola Benedetti returns with a riveting recording of Shostakovich’s monumental Violin Concerto (nr. 1) ...
- 33 Sek.
- 5,3K
- Decca Classics
1. Juli 2016 · Listen to Shostakovich: Violin Concerto No. 1 - Glazunov: Violin Concerto by Nicola Benedetti, Bournemouth Symphony Orchestra & Kirill Karabits on Apple Music. 2016. 8 Songs. Duration: 58 minutes.
In der Folge ihres letzten Albums “Homecoming” nimmt sich Benedetti nun des monumentalen 1. Violinkonzerts von Dmitri Schostakowitsch an, das als eines der herausragenden Werke seiner Gattung im 20. Jahrhundert gilt.
After the brief foreboding orchestral introduction of the Shostakovich, Nicola Benedetti steals in quietly, with white, focused tone that continues the mood. Others have made more of a grand statement, but this approach is very effective, helped by the recording which allows us to hear Kirill Karabits’s control over balance and nuance. As the ...
