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  1. Beim Spiel in den Clubs der 52. Street wurde er stark vom Bebop angezogen und war einer der ersten Gitarristen, der sich dieses Stils annahm. 1945 nahm er mit Dizzy Gillespie auf. 1946 erschien sein Debütalbum „The Jazz Guitarist Chuck Wayne“ mit Zoot Sims, Brew Moore, Ed Shaughnessy und George Duvivier (Re

  2. 4. März 2021 · Nearly 50 years after Miles Davis' recording from Walkin' the United States Library of Congress unearthed an obscure live recording of Chuck Wayne performing a strikingly similar composition at...

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  3. 6. Mai 2021 · In mid-1946, Wayne joined Woody Herman's band, remaining until mid-1947. Later in 1947 Wayne recorded with Coleman Hawkins, and in late 1948 with Lester Young. In early 1949, Wayne joined the George Shearing Quintet [pictured] and was a key ingredient in the group's sound through 1951.

  4. 27. Jan. 2010 · In mid-1946, Wayne joined Woody Herman's band, remaining until mid-1947. Later in 1947 Wayne recorded with Coleman Hawkins, and in late 1948 with Lester Young. In early 1949, Wayne joined the George Shearing Quintet [pictured] and was a key ingredient in the group's sound through 1951.

    • 1945-1946 Chuck Wayne1
    • 1945-1946 Chuck Wayne2
    • 1945-1946 Chuck Wayne3
    • 1945-1946 Chuck Wayne4
  5. 10. Feb. 2020 · Fleet-fingered and an ear for the saxophone, Chuck Wayne was one of the first guitarists to play bebop. He recorded with Joe Marsala and Dizzy Gillespie in January 1945 and then with the Gillespie Sextet in February on Groovin' High and Blue 'n' Boogie with Dexter Gordon.

  6. In mid-1946, Wayne joined Woody Herman's band, remaining until mid-1947. Later in 1947 Wayne recorded with Coleman Hawkins, and in late 1948 with Lester Young. In early 1949, Wayne joined the George Shearing Quintet [pictured] and was a key ingredient in the group's sound through 1951.

  7. 10. Juli 2012 · 1946 Chuck Wayne acetate "Sonny" is a bop-influenced line based on the changes of Nancy Hamilton and Morgan Lewis's "How High The Moon" - a tune that later got nick-named the "National Anthem of Bebop" due to it's popularity with modernists at jam sessions and on recording dates.