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  1. Williams rose to prominence as a member of Duke Ellington 's orchestra when the band was playing at the Cotton Club, with which he first performed from 1929 to 1940. He also recorded his own sessions during this time, both freelance and with other Ellington sidemen.

  2. Vor einem Tag · Trumpeter Cootie Williams (1911-1985) will always be most famous for his association with Duke Ellington. He became Bubber Miley’s successor as Ellington’s plunger mute specialist during 1929-40 and, after a 22-year “vacation, he returned for another dozen years (1962-74). Williams had his own sound, could also play top-notch unmuted solos, and was always happy to acknowledge the ...

  3. Duke Ellington – At the Cotton Club ★★★★★. Monday, July 22, 2019. Storyville Duke Ellington (p), Wallace Jones, Cootie Williams (t), Rex Stewart (cnt), Joe “Tricky Sam” Nanton, Juan Tizol, Lawrence Brown (tb), Barney Bigard, Johnny Hodges, Otto Hardwick, Harry Carney (reeds), Fred Guy (g), Billy Taylor (b), Sonny Greer (d) and ...

  4. 25. März 2024 · One of the most definitive and sui generic sounds of the trumpet has been that from Cootie Williams, who helped define the original “jungle” sound of Duke Ellington’s Orchestra. This four disc, 92 song anthology covers the famed horn man from his pre-Ellington days through his most famous time with the Duke, then venturing out on his own ...

  5. 25. Okt. 2019 · Enjoy the classic jazz tune "Concerto for Cootie" by Duke Ellington and Cootie Williams, recorded in 1940. A masterpiece of swing and trumpet solo.

    • 3 Min.
    • 8,9K
    • Michael Zirpolo
  6. 25. Okt. 2019 · Concerto for Cootie” is the best single introduction to the trumpeter’s warm musical personality. It is based on three contrasting themes. The first, heard at both the beginning and end of this performance, later became the basis for one of Ellington’s popular songs, “Do Nothing Till You Hear From Me,” with a lyric by ...

  7. Bedeutung. Cootie Williams ist einer der bedeutendsten und kreativsten Jazztrompeter der Swing-Ära. Sein Spiel stand (wenn er ohne Dämpfer spielte) unter dem Einfluss von Louis Armstrong, sein Markenzeichen aber wurde sein Growl -Spiel mit dem Plunger-Dämpfer, mit dem er den von Bubber Miley begründeten Stil perfektionierte und über ...