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Chūshingura (忠臣蔵, The Treasury of Loyal Retainers) is the title given to fictionalized accounts in Japanese literature, theater, and film that relate to the historical incident involving the forty-seven rōnin and their mission to avenge the death of their master, Asano Naganori.
The Treasury of Loyal Retainers (仮名手本忠臣蔵, Kana dehon Chūshingura) is an 11-act bunraku puppet play composed in 1748. It is one of the most popular Japanese plays, [3] ranked with Zeami 's Matsukaze , although the vivid action [4] of Chūshingura differs dramatically from Matsukaze .
30. Sept. 2022 · Kanadehon Chushingura ( A Treasury of Loyalty of Loyal Retainers or The Story of the Forty-Seven Samurai) is the most popular play in the history of Japanese theatre, first performed in 1748. It is a work of fiction, but the details of the story are often confused with those of a real event, the Ako Incident (1701-3), on which it is commonly ...
- Graham Squires
Das erfolgreichste Bunraku-Puppenspiel heißt Kanadehon Chūshingura („Vorlage zur Schönschrift: Ein Schatzhaus von getreuen Samurai“), meist kurz Chūshingura genannt, geschrieben 1748 von Takeda Izumo II., Miyoshi Shōraku und Namiki Sōsuke. Es wurde später auch in ein Kabuki-Stück umgeformt und wird bis heute überall in ...
Chūshingura, classic play cycle of the Japanese kabuki theatre. The kabuki drama was adapted from an original written about 1748 for the puppet theatre (bunraku) by Takeda Izumo with Namiki Sōsuke (Senryū) and Miyoshi Shōraku. In 11 acts it dramatizes the incidents that took place from 1701 to.
- The Editors of Encyclopaedia Britannica
Chūshingura, the Tale of the Forty-Seven Ronin, stands as a monumental story in Japanese culture, embodying the samurai code of honor, loyalty, and sacrifice. This narrative has captivated the imagination of many, from its origins in the early 18th century to its extensive portrayal in various art forms, including the renowned ukiyo-e woodblock prints .
21. Jan. 2014 · Kitagawa Utamaro (1753-1806) Chûshingura, 3. Akt, Vielfarbendruck, ca. 1801-1802 Staatliche Museen zu Berlin
