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View credits, reviews, tracks and shop for the 1999 CD release of "The Complete Anita O'Day Verve/Clef Sessions" on Discogs.
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This Definitive edition gathers all of the recordings cut by Anita O'Day for Norman Granz's Verve label in 1952. Four sessions are included, ranging from a New York January session featuring extraordinaire Roy Eldridge to a Capitol transcription registered alongside the Nat Cole Trio in Los Angeles, a Chicago date waxed another West Cost affair ...
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The Complete Anita O'Day Verve-Clef Sessions. Verve: 0840197. Buy download online. Anita O'Day (interprète vocal), Jackie Mills (drums), Barney Kessel (guitar), Arnold Ross (piano), Monty Budwig (double bass), Anita O'Day (singer), Gene Krupa Big Band, Roy Eldridge (trumpet), Gene Krupa (drums), Larry Bunker (vibraphone), Harry Edison (trumpet
12. Juni 2001 · View credits, reviews, tracks and shop for the 2001 CD release of "Complete Signature & London Recordings" on Discogs.
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- Columbia and Capitol Records: 1941–1946
- Signature, Coral, Advance, Alto, Mercury Records: 1946–1951
- Clef and Norgran Records: 1951–1956
- Verve Records: 1956–1964
- Basf/Mps Records: 1970
- Emily Records,(Emily Productions) : 1975–Now
In her earliest recordings, Anita O'Day was the featured vocalist with the big bands of Gene Krupa (1941-1942 and 1945-1946) and Stan Kenton (1944). In the 1940s, Columbia and Capitol Recordsreleased the recordings of Krupa and Kenton, respectively, on 78 rpm disks with one song per side. In later decades the tracks were anthologized in albums in o...
In her first years as a solo act, Anita O'Day recorded several dozen live and in-studio songs, including ten tracks produced by Bob Thiele in Fall 1947 for the Signaturelabel.
Anita O'Day sang with small and large studio ensembles for the Clef and Norgran labels formed by Norman Granz.
This time period brought O'Day to the attention of the Jazz world, making 14 records. O'Day became the first artist to record for Norman Granz's newly formed Verve Records.
Spending several years kicking her drug and alcohol habit, O'Day re-emerged onto the music scene in 1970.
O'Day founded Emily Records, named after her dog, in 1975. This time period would document her strong comeback, with her first studio recordings, since leaving Verve Records in 1963. Most of her recordings in the 1970s would take place in Japan, as jazz became popular in the country.
During her 11 months with Kenton, O'Day recorded 21 sides, both transcription and commercial, and appeared in a Universal Pictures short Artistry in Rhythm (1944). " And Her Tears Flowed Like Wine " (1944) became a huge seller, and put Kenton's band on the map. [1]
1. Jan. 1999 · Listen to unlimited or download The Complete Anita O'Day Verve-Clef Sessions by Anita O'Day in Hi-Res quality on Qobuz. Subscription from £10.83/month.
