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  1. 8. März 2016 · Ron Bykowski Probably the most mysterious of the P-Funk guitarists is Ron Bykowski. “Ron was the first white guitar player we had,” says Clinton. Bykowski appears on Cosmic Slop [1973] and Standing on the Verge of Getting It On [1974] and is credited as the

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  2. 14. Sept. 2019 · It was posted on the Eddie Hazel Facebook page yesterday that apparently Ron passed away … FIVE YEARS AGO?? How is it even possible that this guy was so under the radar and MIA that no one in the P-Funk universe knew abo…

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  3. en.wikipedia.org › wiki › FunkadelicFunkadelic - Wikipedia

    Funkadelic was an American funk rock [1] band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton 's P-Funk collective, they helped pioneer the funk music culture of the 1970s. [1] [5] Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments (later ...

  4. en.wikipedia.org › wiki › Cosmic_SlopCosmic Slop - Wikipedia

    Guitars: Garry Shider & Ron Bykowski; Drums: Tyrone Lampkin; Bass: Cordell Boogie Mosson; This track was remade several times by future lineups of Parliament/Funkadelic. A live version (recorded during a rehearsal) appears on the 1976 Funkadelic album Hardcore Jollies.

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  5. 19. Aug. 2012 · Ron Dunbar. August 19, 2012. Official site of George Clinton and Parliament Funkadelic Home of the extraterrestrial brothers, Dealers of funky music P.Funk, uncut funk, The Bomb.

  6. Standing on the Verge of Getting It On. (1974) Let's Take It to the Stage. (1975) Tales of Kidd Funkadelic. (1976) Let's Take It to the Stage is the seventh album by American funk rock band Funkadelic. It was released in April 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.

  7. Guitarist Ron Bykowski (the 'soul powered token white devil', as Pedro Bell named him on the credits to the previous album) goes for his with the nasty "No Head No Backstage Pass"; the type of blatant obscenity set to rock riffs that would later be further explored on such unforgettable Funkadelic joints as "Icka Prick" (1981).