Suchergebnisse
Suchergebnisse:
The Dark Keys is a jazz trio album by the Branford Marsalis Trio, featuring Branford Marsalis, Reginald Veal, and Jeff "Tain" Watts, with guest appearances from Kenny Garrett and Joe Lovano. Recorded July 31 to August 2, 1996, in the Tarrytown Music Hall in Tarrytown, New York , the album reached Number 9 on the Billboard Top Jazz ...
Sein Sopranspiel ist ohnehin eine Klasse für sich, intonationsrein vermeidet er Lacysche Spröde ebenso wie coltraneske Orientalismen. Zwei herrliche Gastauftritte von Joe Lovano und Kenny Garrett machen die CD vollends zu einer nicht nur äußerlich runden Sache. Thomas Fitterling, 01.09.2007
Adding even more drama, saxophone greats Joe Lovano and Kenny Garrett joined Marsalis for a pair of horn duets on THE DARK KEYS. The name is a product of Branford's legendary--and decidedly acerbic--sense of humor.
15. Aug. 2011 · 1. Dark Keys. 2. Hesitation play . 3. Thousand Autumns. 4. Sentinel. 5. Lykeif play . 6. Judas Iscariot. 7. Blu Tain. 8. Schott Happens. . Branford Marsalis (tenor & soprano saxophones); . Reginald Veal (bass); . Jeff "Tain" Watts (drums). +. Kenny Garrett (alto saxophone) - 6; . Joe Lovano (tenor saxophone) - 4.
The Dark Keys is a jazz trio album by the Branford Marsalis Trio, featuring Branford Marsalis, Reginald Veal, and Jeff "Tain" Watts, with guest appearances from Kenny Garrett and Joe Lovano. Recorded July 31 to August 2, 1996, in the Tarrytown Music Hall in Tarrytown, New York, the album reached Number 9 on the Billboard Top Jazz Albums chart.
On “Judas Iscariot,” Garrett pops by on alto; his playing is very much in a high-speed bebop style, bolstered by the hard-charging rhythm section. There are a few mellow moments — “A Thousand Autumns” is a patient ballad, “Blutain” a deep blues — but for the most part, The Dark Keys is the sound of Branford Marsalis going off.
23. Apr. 2024 · Interview. Alto and soprano saxophonist Kenny Garrett is an explorer. He’s constantly seeking new situations, new sources of inspiration, and new ways to expand the boundaries of his own musical ...
