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1. comparativestudies.osu.edu › people › shankBarry Shank | Department of Comparative Studies

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   He is the co-editor of The Popular Music Studies Reader (Routledge, 2005) (with Andy Bennett and Jason Toynbee), and American Studies: A New Anthology (Wiley/Blackwell, 2009) (with Janice Radway, Kevin Gaines and Penny Von Eschen).

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3. scholar.google.com › citations‪Barry Shank‬ - ‪Google Scholar‬

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   Articles 1–20. ‪Professor of Comparative Studies, Ohio State University‬ - ‪‪Cited by 1,679‬‬ - ‪American studies‬ - ‪popular music‬ - ‪cultural theory‬.

4. humanitiesinstitute.osu.edu › people › shankBarry Shank | Humanities Institute

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   Barry Shank. Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies. shank.46@osu.edu. 614-247-6186. 440 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

5. comparativestudies.osu.edu › peoplePeople | Department of Comparative Studies

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   he/him/his. College of Arts and Sciences Distinguished Professor of Comparative Studies & Director of the Humanities Institute. 440 Hagerty Hall. shank.46@osu.edu.

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6. cmrs.osu.edu › people › shankBarry Shank | Center for Medieval and Renaissance Studies

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   Barry Shank. Director, Humanities Institute and Humanities Collaboratory; Professor, Department of Comparative Studies. shank.46@osu.edu. Areas of Expertise. Capitalism and Sentiment. Cultural Theory. Popular Music. American Studies. Education. PH.D. in American Studies, University of Pennsylvania.

7. cfs.osu.edu › people › shankBarry Shank | Center for Folklore Studies - Ohio State University

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   Barry Shank. Director, Humanities Centers Consortium; Professor, Comparative Studies. shank.46@osu.edu. (614) 247-6186. 442 Hagerty Hall. 1775 S. College Road. Columbus, OH. 43210.

8. academic.oup.com › ahr › article-abstractBarry Shank - Oxford Academic

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   1. Feb. 2008 · This book by Barry Shank directs substantial intellectual firepower at one of the most devalued forms of American popular culture: greeting cards. Tying business history to American culture's “dominant forms of subjectivity” (p. 3), the book is an impressive work of materialist cultural studies scholarship.