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  1. Diese CD enthält die besten Tracks seiner Solokarriere, incl. ›The Holdup‹, das er zusammen mit George Harrison komponierte, sowie ›Sharon‹, ›The Joke's On Me‹ und ›Sammy's Song‹. Auf diversen Tracks sind Jerry Garcia, Bill Kreutzmann und Keith Godchaux von The Grateful Dead zu hören. Weiterlesen.

  2. Keith Richard Godchaux (July 19, 1948 – July 23, 1980) was an American pianist best known for his tenure in the rock group the Grateful Dead from 1971 to 1979. Following their departure from the Dead, he and his wife Donna formed the Heart of Gold Band in 1980, but Godchaux died from injuries sustained in a car accident shortly ...

  3. This album brought to you at mid-price is a good summary of David Bromberg's career, containing the majority of his best songs including " "The Holdup", "Mr. Bojangles", and "Sharon" backed by three members of The Grateful Dead, namely Jerry Garcia (electric guitar, vocals), Bill Kreutzmann (drums) and Keith Godchaux (piano).

  4. He is backed on this track by Bill Kreutzmann, Keith Godchaux and Jerry Garcia of the Grateful Dead. 'The Holdup' reminds me of Weird Al Yankovic both in the lyrics and the way it's presented, but this one's a Bromberg and George Harrison collaboration.

    • Fiona Hutchings
  5. The Player : Retrospective. Members of the Grateful Dead play on three tracks on this David Bromberg compilation CD. Original producers - David Bromberg, Brian Ahern, Bernie Leadon. The tracks on this compilation are taken from four David Bromberg LPs. Wanted Dead or Alive, David Bromberg, 1974, CBS 32717.

  6. 19. Juli 2022 · How Keith Godchaux made the 1970s the Grateful Dead’s golden era. While playing a gig with organ expert Merl Saunders in September of 1971, Jerry Garcia was approached by a fiery young southern woman who told him in no uncertain terms that she knew who the Grateful Dead’s next keyboard player was. Without knowing that the Dead were even in ...

  7. 12. Jan. 2008 · An insanely talented guitarist and songwriter, Bromberg made loads of uneven albums in the '70s, but each one contained at least a couple of gems. THE PLAYER conveniently cuts through Bromberg's chronic inconsistency to place the gems before the eyes and ears of the public at large.

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