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  1. Sextet is the third studio album by the English post-punk band A Certain Ratio, released in January 1982 by Factory Records. It is the first album by the band not to be produced by Martin Hannett, due to the band wishing for a new sound. The album spent eleven weeks in the UK Independent Albums Chart, peaking at number 1.

  2. Sextet was the first album that was self-produced by ACR and is closer to the "dark funk" sound the band wanted. ACR rate Sextet as one of their stand out albums. In February 1982, they released the dub reggae single "Abracadubra" under the pseudonym 'Sir Horatio'. ACR had further indie charting singles that year with "Guess Who?"

  3. A Certain Ratio. Released. 1981 — US. Vinyl —. 12", 45 RPM. Explore the tracklist, credits, statistics, and more for Sextet by A Certain Ratio. Compare versions and buy on Discogs.

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  4. acertainratio.bandcamp.com › album › sextetSextet | A Certain Ratio

    30. Sept. 2016 · electronic funk world dance indie jazz Manchester. Sextet by A Certain Ratio, released 30 September 2016 1. Lucinda 2. Crystal 3. Gum 4. Knife Slits Water 5. Skipscada 6.

  5. A Certain Ratio ist eine britische Band aus Manchester, die 1977 gegründet wurde. Inhaltsverzeichnis. 1 Geschichte. 2 Diskografie. 2.1 Alben. 2.2 Kompilationen. 2.3 Singles (Auswahl) 3 Weblinks. 4 Quellen. Geschichte. A Certain Ratio entstammt dem Umfeld des Independentlabels Factory Records [1] (bekannt durch Joy Division, New Order etc.).

  6. Reviews. A Certain Ratio. Sextet (Reissue) Mick Middles , September 26th, 2014 12:32. The sound of the embryonic ACR had been a jittery affair. A thick soup of chopping funk spliced with a lonesome trumpet and topped with snaps, whistles and Simon Topping's evocative dour vocals. It seemed to hang in the Mancunian gloom.

  7. 26. Sept. 2014 · Reviews. A Certain Ratio. Sextet (Reissue) Read later. Mick Middles Published 12:32pm 26 September 2014. The sound of the embryonic ACR had been a jittery affair. A thick soup of chopping funk spliced with a lonesome trumpet and topped with snaps, whistles and Simon Topping’s evocative dour vocals. It seemed to hang in the Mancunian gloom.