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The Surround Sound portions of the discs feature the Quadraphonic mixes of both "360 Degrees Of Billy Paul" and "War Of The Gods", made available for the first time in over 40 years. Personnel. Billy Paul – lead and backing vocals; Bobby Eli, Bunny Sigler, David Bay, Norman Harris, Roland Chambers – guitar; Eddie Green, Leon Huff ...
Guitar – Bobby Eli, Bunny Sigler, David Bay, Norman Harris, Roland Chambers; Organ – Lenny Pakula; Performer [String And Horn Section] – Don Renaldo; Photography By [Back Cover] – Robert Davis (7) Photography By [Front Cover] – Don Hunstein; Piano – Eddie Green (3), Leon Huff; Producer – Gamble-Huff* Vibraphone [Vibes] – Vince ...
- (13)
- US
- 7
- Vinyl, LP, Album
1. März 2017 · This is the most impressive of the album’s three covers. The album concludes with the inspirational, Bunny Sigler penned “I’m Gonna Make It This Time”. A reoccurring feature of “360 Degrees of Billy Paul” is Billy Paul’s tendency to adlib with some related words or phrases towards the end of song. He does this in a way ...
- (380)
- 25 November 1972
- Billy Paul
- 3.57 / 5.00.5from 376 ratings
Bunny Sigler: Guitar: David Bay: Guitar: Norman Harris: Guitar: Roland Chambers: Organ: Lenny Pakula: Piano: Eddie Green: Piano: Leon Huff: Horns: Don Renaldo: Vibraphone: Vincent Montana: Congas: Larry Washington: Vocals: Billy Paul
View credits, reviews, tracks and shop for the 1972 Vinyl release of "360 Degrees Of Billy Paul" on Discogs.
- (15)
- 4 Min.
- 6
- 2,9M
4. Jan. 2019 · Guitar – Bobby Eli, Bunny Sigler, David Bay, Norman Harris, Roland Chambers Organ – Lenny Pakula String And Horn Section – Don Renaldo Piano – Eddie Green, Leon Huff Vibraphone [Vibes] – Vince Montana. Producer – Gamble-Huff. Cover, Design – Ed Lee Photography By [Back Cover] – Robert Davis Photography By [Front Cover ...
28. Nov. 2012 · Sigler is co-writer of "I See the Light," the six-minute spiritual opus that opens Billy Paul's War of the Gods. Though it followed up 360 Degrees of Billy Paul and the iconic "Me and Mrs. Jones," the album only notched up a No. 110 placement on the U.S. pop chart (though it fared considerably better on the R&B chart at No. 12).
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