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Vor einem Tag · In May 1946, he recorded a short performance of “Yesterdays” by Lennie Tristano, Lee Konitz, and guitarist Jimmy Raney. There is also an unknown bassist, and a barely audible drummer using brushes. Konrad Nowakowski, a jazz researcher in Vienna, was kind enough to share this unique recording with us.
16. Mai 2024 · Remembering Lee Konitz: “Kary’s Trance”. by Matt Micucci. Saxophonist Lee Konitz died of COVID-19 complications on April 15, aged 92. Throughout his career, he collaborated with many of the greats and was the last surviving member of Miles Davis’ band from the Birth of the Cool sessions.
28. Apr. 2024 · Lee Konitz is the great friend of the Germans. At first he was honoured, almost like a saint. That was after the War – and especially in Frankfurt, where he had the most lasting influence on the scene in the first important jazz city in Germany. Because he represented the latest in jazz development, the Cool Jazz of the Tristano-school at the highest stage of improvisation genius? Or because ...
Vor 4 Tagen · Pepper's sound and tone changed over the years moving from the smooth alto with the Stan Kenton band, altering to a more searching Lee Konitz -like in the fifties, before absorbing an edge from John Coltrane in the 1960s. The tartness, the darkness, the sudden cries, the rhythmic twists are pure Pepper.
Vor 5 Tagen · Lee Konitz) · François Théberge 5 · Lee KonitzMusic of Konitz℗ 2024 François ThébergeReleased on: 2024-05... Provided to YouTube by CDBabyLennie's & L.T. (feat.
Vor 4 Tagen · December 29, 2023. Ohad Talmor, ‘Back to the Land’ (Intakt) | Review. by Scott Yanow. By Scott Yanow Back to the Land marks an exciting moment for Ornette Coleman fans. Tenor-saxophonist Ohad Talmor discovered that his late mentor Lee Konitz’s collection included three DAT tapes from rehearsals that took place in May 1998.
Vor 3 Tagen · Kenny Wheeler is the composer of the nine hauntingly lyrical chamber-elaborations and endows them with his singular timbre on flugelhorn and trumpet in expressive melodic exchanges with alto saxophonist Lee Konitz. Dave Holland’s bass-foundation is as compelling as ever, giving Bill Frisell all the freedom for harmony-encompassing improvisation. The verdict of
