Geschenke mit Foto & Text direkt online gestalten und bestellen. Blitzversand! Bestell hier dein Geschenk, dass du nicht im Laden bekommst. Überrasche deine Liebsten!
Suchergebnisse
Suchergebnisse:
Marshall Howard Crenshaw (born November 11, 1953) is an American musician, singer, songwriter, and guitarist best known for hit songs such as "Someday, Someway," a US top 40 hit in 1982, "Cynical Girl," and "Whenever You're on My Mind."
19. Juli 2023 · When Marshall Crenshaw’s landmark debut album hit record stores in late spring of 1982, it was greeted with unanimous acclaim from critics and the public alike as a masterpiece of exquisite songwriting and performance.
- Ken Sharp
1. Feb. 2023 · Back in 2004, Crenshaw got a chance to crank his amp to 11 when he joined then-surviving members of the protopunk band MC5 – bassist Mike Davis, guitarist Wayne Kramer and drummer Dennis Thompson – for what was billed as the DKT/MC5 tour.
11. Nov. 2019 · Marshall Crenshaw may have both enjoyed and wrestled with his evolution, but he has shaken off the urge to stop creating and continues to do what he loves most: making music. Did he think he’d be doing all this in his mid 60’s?
- Steve Houk
20. Aug. 2021 · Marshall sat down with journalist Marc Allan to talk about his new live set, The Wild, Exciting Sounds Of Marshall Crenshaw. DISC ONE: MC:Back in the ‘80s (and before and after, I guess) there were a handful of syndicated radio programs, live-in-concert type radio programs on FM Rock stations, usually broadcast on Sunday nights..
- 8033 Sunset Boulevard Los Angeles, CA, 90046 United States
- fuel2001@mac.com
27. Aug. 2021 · What the songs have in common are tautness, precision and melody – hallmarks of Crenshaw’s songwriting as well as the songs he choos- es to cover. So you’ll be surprised to know that Crenshaw calls himself “a reluctant songwriter” and considers songs “a means to an end” and “a vehicle for performance.” Includes ...
28. Jan. 2022 · A new reissue on Crenshaw’s own imprint adds two bonus cuts, both of which are new. Both show how little Marshall Crenshaw has changed in the two—lus decades since he made #447. “Will of the Wind” has a stinging lead guitar lick and breezy vocals; the juxtaposition of the two is perfect.
