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  1. en.wikipedia.org › wiki › The_ShamenThe Shamen - Wikipedia

    The Shamen were suddenly one crucial player short. Help was at hand from the Glaswegian Will Sinnott (23 December 1960 – 23 May 1991), aka Will Sin, who joined the group in October 1987, on bass and keyboards, [4] freeing up Angus to handle vocals and guitar. Sinnott's musical background was an extensive one.

  2. Profile: Will Sinnott (December 23, 1960 – May 23, 1991, La Gomera, Spain) was a Scottish musician and producer. Sinnott joined The Shamen in October 1987 as the bassist; he was influential in The Shamen's switch from psychedelic indie rock to the electronic sound they found fame with.

  3. William Sinnott („Will Sin“, * 23. Dezember 1960, † 23. Mai 1991) kam als Bandmitglied hinzu; Derek McKenzie, Keith McKenzie und Peter Stephenson verließen The Shamen nacheinander. Als Duo wandten sich The Shamen ab 1989 ganz der Rave-Kultur und dem Techno zu.

  4. 17. Mai 2019 · Originally broadcast on 'Rockin In The UK' on British TV on 14 February 1989. Interview with the late Will Sinnott of The Shamen around the time of the release of the 'In Gorbachev We Trust ...

    • 6 Min.
    • 2,3K
    • Indie City
  5. Will Sinnott (December 23, 1960 – May 23, 1991, La Gomera, Spain) was a Scottish musician and producer. Sinnott joined The Shamen in October 1987 as the bassist; he was influential in The Shamen's switch from psychedelic indie rock to the electronic sound they found fame with.

  6. Will Sinnott) in October 1987 and he himself moved to concentrate on vocals and guitar. At this point, the pieces were in place for the group to become what they would eventually be remembered for: one of the early pioneers of what became known as "indie-dance", inspiring a glut of late-'80s pop bands like EMF and Jesus Jones and also paving ...

  7. 23. Mai 1991 · William Sinnott (also known as Will Sin) (23 December 1960 - 23 May 1991) was a Scottish musician and songwriter. Bass player/keyboardist in alternative dance act The Shamen, he wrote several agit-pop style songs for the albums In Gorbachev We Trust and Phorward, before developing a more tribal influenced sound for the instrumental ...