Suchergebnisse
Suchergebnisse:
16. März 2016 · Along with releasing his own albums, Vasconcelos enhanced the works of many artists, in and out of Brazil. One noteworthy example is Lenine’s Na Pressão (1999), on which Naná played shakers, a talking drum and other instruments on the album’s dramatic title track. He also recorded with Brazilian musicians Marisa Monte, Caetano ...
August 1944 in Recife; † 9. März 2016 ebenda [1]) war ein brasilianischer Jazz -Perkussionist. Inhaltsverzeichnis. 1 Leben und Wirken. 2 Auswahl-Diskographie. 3 Filmmusiken. 4 Lexigraphische Einträge. 5 Literatur. 6 Weblinks. 7 Einzelnachweise. Leben und Wirken.
Years active. 1973–2016. Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), [1] was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato ...
ABSTRACT: The research approaches the guitar accompanist historical and musical journey in the context of Brazilian popular music intending to develop a case study of the compact disc Afro-sambas by the guitarist Paulo Bellinati with the singer Mônica Salmaso.
16. März 2016 · Along with releasing his own albums, Vasconcelos enhanced the works of many artists, in and out of Brazil. One noteworthy example is Lenine's Na Pressão (1999), on which Naná played shakers, a talking drum and other instruments on the album's dramatic title track. He also recorded with Brazilian musicians Marisa Monte, Caetano ...
Brazilian percussionist Naná Vasconcelos died of lung cancer on March 9, 2016 at age 71 in the northeastern Brazil city of Recife, where he was born. He was best known for his mastery of the single-string percussion instrument called the berimbau.
9. März 2016 · Naná Vasconcelos (Recife, Pernambuco, 2 de agosto de 1944 – 9 de março de 2016), um dos maiores percussionistas do mundo e o mais revolucionário no gênero da história da música do Brasil Nascido no Recife, Pernambuco, a 2 de agosto de 1944, Naná Vasconcelos tocava múltiplos instrumentos, do berimbau à queixada de burro.
