Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Paul Desmond A&M 1971 The Only Recorded Performance Of Paul Desmond With The Modern Jazz Quartet Paul Desmond Finesse Records: 1972 We’re All Together Again For The First Time Dave Brubeck/Gerry Mulligan/Paul Desmond Atlantic Records: 1973 Skylark Paul Desmond CTI Records: 1973 Giant Box („Song to a Seagull“, „Vocalise“) Don Sebesky ...

  2. en.wikipedia.org › wiki › Paul_DesmondPaul Desmond - Wikipedia

    The Dave Brubeck Quartet. Paul Desmond (born Paul Emil Breitenfeld; November 25, 1924 – May 30, 1977) was an American jazz alto saxophonist and composer and proponent of cool jazz. He was a member of the Dave Brubeck Quartet and composed that group's biggest hit, "Take Five".

  3. 5. Juni 2011 · Paul Desmond (as)Jim Hall (g)Percy Heath (b)Connie Kay (ds)"First Place Again" (1959)

  4. 4. Feb. 2019 · David Warren Brubeck was born in Concord on December 6,1920. Paul Emil Breitenfeld (he said he got Desmond out of a telephone book) was born November 25,1924, in San Francisco. His mother was Irish, his father German. Paul thought his father was Jewish until, near the end of his life, a relative told him he wasn't.

    • Time & Love Paul Desmond1
    • Time & Love Paul Desmond2
    • Time & Love Paul Desmond3
    • Time & Love Paul Desmond4
    • Time & Love Paul Desmond5
  5. Summertime is a 1969 album by American jazz saxophonist Paul Desmond featuring performances recorded in 1968 and released on the CTI label.

  6. Paul Desmond: Interview 1. Paul Desmond (1924–77) Desmond was born in San Francisco, California, and learnt clarinet and later alto saxophone. He was in the US Army for three years until 1946, when he started playing in various groups around San Francisco. He had known and played with Dave Brubeck since 1944, and Brubeck’s quartet, with ...

  7. www.jazzcord.org › post › the-jazzcord-guide-to-paul-desmondThe Jazzcord Guide to Paul Desmond

    6. Dez. 2021 · Legendary alto saxophonist Paul Desmond was, by all accounts, a man like no other, and this unique personality translated very well into his musicianship. His sparse, melodic, and minimalist approach to improvisation acted as a direct contrast to the maximalism found in other improvisers of his time, with a particular focus being put on taking a singular idea, no matter how simple, and making ...