Yahoo Suche Web Suche

Suchergebnisse

  1. Suchergebnisse:
  1. Šarūnas Bartas, anglisiert mitunter auch Sharunas Bartas, (* 16. August 1964 in Šiauliai, Litauische SSR, Sowjetunion) ist ein litauischer Filmregisseur . Inhaltsverzeichnis. 1 Leben und Werk. 2 Rezeption. 3 Filmografie. 4 Weblinks. Leben und Werk.

  2. Šarūnas Bartas (born 16 August 1964) is a Lithuanian film director. He is one of the most prominent Lithuanian film directors internationally from the late 20th century. His 2015 film Peace to Us in Our Dreams was screened in the Directors' Fortnight section at the 2015 Cannes Film Festival.

  3. Actor. Writer. IMDbPro Starmeter See rank. Sharunas Bartas was born on 16 August 1964 in Siauliai, Lithuanian SSR, USSR [now Lithuania]. He is a director and actor, known for Frost (2017), The Corridor (1995) and Three Days (1991). More at IMDbPro.

  4. Šarūnas Bartas’ The Corridor (1994), In Memory of a Day Gone By (1990), Three Days (1991) Vol. 70 (December 2016) by Lukas Brašiškis. A long take of floes of ice drifting along a river is followed by a long take of two abstract figures unhurriedly walking away on a snowy flatland until they become an integral part of the landscape.

  5. March 21–25, 2003. The Films of Sharunas Bartas. Lithuanian director Sarunas Bartas belongs to a group of Eastern European filmmakers who for more than a decade have chronicled the ruined lives and waning spirits of societies in the wake of the collapse of the Soviet empire.

  6. Biography. Šarūnas Bartas (born 16 August 1964) is a Lithuanian film director. One of the most prominent Lithuanian film directors internationally from the late 20th century. His 2015 film Peace to Us in Our Dreams was screened in the Directors' Fortnight section at the 2015 Cannes Film Festival,

  7. L ukas Brašiškis sat down with Šarūnas Bartas back in 2009 to speak about his career from the early beginnings through his canonization as an auteur. Characteristically astute, Bartas fends off any attempts at having him participate in an elevation of his work, instead resorting to strategic sophistry and a formulation of low-key, cinematic ...