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  1. Walter Scott Murch ist ein US-amerikanischer Filmeditor, Tonmeister, Drehbuchautor und Regisseur. Bekannt wurde er vor allem durch seine Zusammenarbeit mit den Regisseuren George Lucas, Francis Ford Coppola und Anthony Minghella. Murch ist dreifacher Oscar-Preisträger für seine Arbeit als Tonmeister bei Apocalypse Now sowie als ...

  2. en.wikipedia.org › wiki › Walter_MurchWalter Murch - Wikipedia

    Walter Scott Murch (born July 12, 1943) is an American film editor, director, writer and sound designer. His work includes THX 1138 , Apocalypse Now , The Godfather I , II , and III , American Graffiti , The Conversation , Ghost and The English Patient , with three Academy Award wins (from nine nominations: six for picture editing ...

  3. www.imdb.com › name › nm0004555Walter Murch - IMDb

    Walter Murch is a legendary sound editor and filmmaker who has worked on classics such as The Conversation, Apocalypse Now, and The English Patient. He has won three Oscars and is a founding member of northern California cinema.

    • January 1, 1
    • 2 Min.
    • New York City, New York, USA
  4. Walter Murch is a renowned film editor and sound designer who has won Oscars for Apocalypse Now (1979) and The English Patient (1996). He has worked on many classic films, such as The Godfather Part II (1974), The Conversation (1974), and Return to Oz (1985), and is a pioneer of digital editing and sound design.

  5. 8. Apr. 2017 · Learn about the career and achievements of Walter Murch, the Godfather of sound design who worked with Coppola and Lucas on classics like The Conversation, THX-1138 and Apocalypse Now. He also talks about his current project Coup '53, which he is editing in London.

  6. 6. Nov. 2015 · Learn about the life and work of Walter Murch, the pioneer of sound design and editing, who has collaborated with Coppola, Lucas and Bigelow. Discover his process, philosophy and challenges in this in-depth interview.

  7. 18. Jan. 2023 · in Editors, Interviews. on Jan 18, 2023. EnergaCAMERIMAGE, Mike Leigh, The Conversation, Walter Murch. Watching a documentary on film history, editor Walter Murch was struck by how different cinematographers tended to frame faces in close-ups similarly. “I noticed something peculiar,” he said.