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  1. Antonio Campos (born August 24, 1983) is an American filmmaker and producer best known for directing films such as Afterschool (2008), Simon Killer (2012), Christine (2016), and The Devil All the Time (2020). Campos is also known for creating the Max biographical crime series The Staircase (2022).

  2. Antonio Campos is an American filmmaker who has directed and produced films such as Afterschool, Simon Killer, Christine, and The Devil All the Time. He also created and show-ran The Staircase, a TV mini series about a murder case, and is working on a Batman spin-off series.

    • January 1, 1
    • 1 Min.
    • New York City, New York, USA
  3. Entdecke alle Serien und Filme von Antonio Campos. Von den Anfängen seiner 106 Karriere-Jahre bis zu geplanten Projekten.

  4. Learn about Antonio Campos, a New York-based filmmaker who explores themes of media, voyeurism and identity in his dramas. See his filmography, awards, and collaborations with Borderline Films.

    Tomatometer®
    Audience Score
    Title
    Credit
    65%
    Fresh audience score. 79%
    Director, Screenwriter
    72%
    Rotten audience score. 43%
    Producer
    48%
    Fresh audience score. 69%
    Executive Producer
    78%
    Rotten audience score. 57%
    Executive Producer
  5. Antonio Campos, director of Simon Killer, talks about his experience of shooting in Paris, working with actors and producers, and attending Sundance as a director for the first time. Read the interview and learn more about his indie film and his production company Borderline Films.

  6. 16. Sept. 2020 · Director Antonio Campos talks about his adaptation of Donald Ray Pollock's novel, the cast, the violence, the religion and the COVID-19 impact on filmmaking. The film, starring Tom Holland, Robert Pattinson and Riley Keough, is a Southern Gothic and hardboiled noir stew.

  7. From the 1950s onwards, the work of António Campos (1922-1999) took a unique path in Portuguese film history. He directed a series of documentaries and fiction films, experimenting with the conventions of film genres, working mostly on the margins of traditional modes of production.