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  1. Rat Trap (French: Le Rat d'Amérique) is a 1963 French adventure film directed by Jean-Gabriel Albicocco. It was entered into the 1963 Cannes Film Festival. Cast. In alphabetical order. Charles Aznavour as Charles; Richard Badouh; Franco Fabrizi; Matias Ferreira Diaz; Sara Gimenez; Emilio Gnocchi; Zuny Joy; Marie Laforêt; Francois ...

  2. en.wikipedia.org › wiki › ElippathayamElippathayam - Wikipedia

    Elippathayam (Translation: The Rat Trap) is a 1982 Malayalam film written and directed by Adoor Gopalakrishnan. It stars Karamana Janardanan Nair, Sharada, Jalaja, and Rajam K. Nair. The film documents the feudal life in Kerala at its twilight overshadowed with grief, and a sense of carelessness/avoidance as a form of revolt. The ...

  3. Rat Trap: Directed by Jean-Gabriel Albicocco. With Charles Aznavour, Marie Laforêt, Franco Fabrizi, Richard Badouh. This adventure drama finds Charles (Charles Aznavour), a youthful Frenchman traveling to Paraguay to start a new life.

    • (57)
    • Adventure, Drama
    • Jean-Gabriel Albicocco
    • 1965
  4. 19. Dez. 1997 · Mousehunt: Directed by Gore Verbinski. With Nathan Lane, Lee Evans, Vicki Lewis, Maury Chaykin. Two stumblebum inheritors are determined to rid their antique house of a mouse who is equally determined to stay where he is.

    • (61K)
    • Comedy
    • Gore Verbinski
    • 1997-12-19
  5. Rat Trap (1963) directed by Jean-Gabriel Albicocco • Reviews, film + cast • Letterboxd. 1963. Le Rat d'Amérique. Directed by Jean-Gabriel Albicocco. This South American adventure drama finds Charles (Charles Aznavour), a youthful Frenchman traveling to Paraguay to start a new life.

    • Jean-Gabriel Albicocco
  6. Kinostart: 08.08.2024. Dauer: 80 Min. Genre: Psychothriller, Thriller, Horrorfilm. Produktionsland: USA. Filmverleih: Warner. Handlung und Hintergrund. Mit Werken wie „ The Sixth Sense “ und „...

  7. With brilliant support from rest of the cast, The Rat-Trap starts making sense all the way through 120 minutes. With an eerie background music that happens, countably four times throughout, the message of how big houses with lifeless people can turn out to be disastrous is conveyed.