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  1. Du liebst Home-Theater, Streaming und Kino? Mach Filmproduktion zum Beruf! Bachelorstudium. Aus- und Weiterbildung am weltweit größten Mediencampus. Jetzt Infomaterial anfordern!

    • SAE Institute Köln

      Das SAE Institute in Köln ist einer

      von neun Standorten in Deutschland.

    • SAE Institute

      Bachelor mit Hilfe der praxisnahen

      Aus- & Weiterbildung des SAE ...

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  1. With Duncan Hannah, Eric Mitchell, Kitty Sondern, Patti Astor. Photographer Rico fantasizes himself a 1960s Paris gangster. An outsider using his camera like a gun, he searches for reality to fulfill his dreams until falling in love disrupts the delicate balance of his imagined world.

    • (160)
    • Drama
    • Amos Poe
    • 1976
  2. Unmade Beds is a 1976 American independent film directed by Amos Poe and starring Duncan Hannah, Eric Mitchell, Patti Astor, and Debbie Harry. The film was shot guerilla style on the streets of New York City on a shoestring budget with a small cast and crew.

  3. Überblick. Unmade Beds. Literaturverfilmung | USA 1976 | 77 Minuten. Regie: Amos Poe. Kommentieren. Teilen. Ein junger Mann lebt in einer reinen Kinowelt, in der New York Paris und er selbst der Held eines Godard-Films ist. Zuletzt findet er auch ein kinoreifes Ende.

  4. Directed by Amos Poe. Sketched loosely, the narrative of Poe’s first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the “New Wave” scene of mid-60s Paris.

    • (200)
    • Amos Poe
  5. Overview. Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris.

  6. Unmade Beds: Ein Film von Amos Poe mit Duncan Hannah und Baby Adams. Geschichte des unangepassten Rico, der 1976 in New York lebt, aber sich erst in Paris mit seiner Kamera zu Zeiten des

  7. Unmade Beds tells the story of Rico, a guy who lives in New York in 1976 but lives his own life in Paris during the time of the New Wave. He’s a photographer who thinks he’s a gangster, a soft gangster, a loner, an outsider, who uses his camera like a gun, loading it with bullets of film.