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  1. Beg, Borrow or Steal is a 1937 American comedy film directed by Wilhelm Thiele and written by Leonard Lee, Harry Ruskin and Marion Parsonnet. The film stars Frank Morgan, Florence Rice, John Beal, Janet Beecher, Herman Bing and Erik Rhodes. The film was released on December 3, 1937, by Metro-Goldwyn-Mayer.

  2. Beg, Borrow or Steal: Directed by Wilhelm Thiele. With Frank Morgan, Florence Rice, John Beal, Janet Beecher. A con man must pass himself off as the owner of a château on the French Riviera when he is expected to host his estranged daughter's wedding.

    • (295)
    • Comedy, Romance
    • Wilhelm Thiele
    • 1937-12-03
  3. 20. März 1973 · Beg, Borrow ... or Steal: Directed by David Lowell Rich. With Mike Connors, Kent McCord, Michael Cole, Joel Fabiani. Three disabled men--one blind, one with no legs and one with no hands--get together to pull off a museum robbery.

    • (70)
    • Drama
    • David Lowell Rich
    • 1973-03-20
  4. The notion marks not only a fundamental meta- phor in feminist theory, but describes as well a prevalent tactic shared by women film- and videomakers who frequently borrow (or steal) ex- isting texts - whether literary, filmic, or musical - and revise them.

  5. Beg, Borrow or Steal is a 1937 American comedy film directed by Wilhelm Thiele and written by Leonard Lee, Harry Ruskin and Marion Parsonnet. The film stars Frank Morgan, Florence Rice, John Beal, Janet Beecher, Herman Bing and Erik Rhodes. The film was released on December 3, 1937, by Metro-Goldwyn-Mayer.

  6. A museum heist with an unusual twist: the three thieves are all physically disabled. The men, one confined to a wheelchair, one with prosthetic hands, and one blind, plan to steal a valuable statue. The men use teamwork and ingenuity to beat the high-tech security and get in and out with the statue. However, their plan is not foolproof, as a ...

  7. Beg, Borrow or Steal - Class consciousness haunted films made in Hollywood during the Great Depression, resulting in such enduring classics as RKO Radio Pictures' Alice Adams (1935), Columbia Pictures' Holiday (1938), Universal's My Man Godfrey (1936), and this modest effort from Metro-Goldwyn-Mayer.