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20. Mai 2017 · The French American: Directed by Darla Rae. With Gabrielle Stone, Basil Hoffman, Steven Christopher Parker, Marty Lindsey. U.S.-born John Tschirhart was a Frenchman to his core, wanting nothing more than a life in France with his beloved Malou and best friend Jacques. But when Germany invaded France in 1940, Americans were ordered to ...
- (6)
- Action, Drama, Romance
- Darla Rae
- 2017-05-20
Vor 5 Tagen · The American French Film Festival will return October 29 - November 3 for a week of French Films and Series Premieres @directorsguild in Los Angeles. We look forward to celebrating French cinema with you! #TAFFF is presented by @fondsculturelfrancoamericain, a unique partnership between @directorsguild, @motionpictures, @sacem, and ...
22. Okt. 2021 · With Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux. A love letter to journalists set in an outpost of an American newspaper in a fictional twentieth century French city that brings to life a collection of stories published in "The French Dispatch Magazine".
- (151K)
- Comedy, Drama, Romance
- Wes Anderson
- 2021-10-22
The French American. 2017. Action/Drama/Romance. Cast. Gabrielle Stone (Malou) Basil Hoffman (Monsieur Tissot) Steven Christopher Parker (Ross) Marty Lindsey (Rubio) Kasha Fauscett (Edna)...
- “Other People’s Children”
- “Goodbye to Language”
- “La Sapienza”
- “The Man on The Train”
- “Of Gods and Men”
- “The Beat That My Heart Skipped”
- “Petite Maman”
- “Being 17”
- “House of Tolerance”
- “Faces Places”
Virginie Efira’s most notable follow-up to “Benedetta” couldn’t be more different. Where she wore her sexuality like a suit of armor in that film, in “Other People’s Children,” she’s all vulnerability, as internal as the medieval nun drama was an external explosion of camp. Directed by Rebecca Zlotowski, Efira plays a woman in 2020s Paris assessing...
“Godard forever!” So shouted one devout fan as the lights went down at the Cannes Film Festival before the world premiere of the reclusive French New Wave director’s latest mysterious work. The anticipation was warranted: For decades, Godard has continually showed the movie world how it’s done, with one cinematic mic drop after another that pushes ...
The premise of the “The Sapience” (“La Sapienza”) could easily provide fodder for a clichéd indie drama: an estranged couple travels to the countryside in a desperate attempt to raise their weary spirits, bonds with a pair of troubled teens and by helping them work through their problems, finds a renewed sense of hope. Gag. But in the hands of Fren...
From 1989 to 2002, Patrice Leconte was one of the most electric and beguiling (and under-appreciated) filmmakers in the world. His career-defining hot streak may have peaked with 1999’s singularly romantic “Girl on the Bridge,” but it ultimately came to a boil with “The Man on the Train.” The wise and altogether wonderful story of a chance encounte...
From its early scenes, “Of Gods and Men” inhabits the sacred lives of its monastic subjects. The eight monks residing in a seemingly quaint North African mountain community go through the motions of their daily prayers, the ritualistic hymns echoing monotonously throughout their hallowed chambers. Providing medical assistance and spiritual counsel ...
Jacques Audiard became one of the most celebrated French filmmakers on the planet with “A Prophet” in 2009, but he had already established himself as one of the most compelling French filmmakers long before that. Riffing on (and greatly eclipsing) James Toback’s 1978 “Fingers,” 2005’s “The Beat that My Heart Skipped” is the kind of remake that just...
Céline Sciamma‘s characters open like pores soaked in hot water, and the hyper-real worlds around them — from the apartment complexes of contemporary Paris in “Girlhood” to the ravishing coast of 18th century Brittany in her masterpiece “Portrait of a Lady on Fire” — reveal themselves with such an acute sense of discovery that even the most everyda...
A slow, shaggy, hyper-naturalistic coming-of-age drama that constantly returns to the sheer violence of becoming a man, André Téchiné’s “Being 17” is a movie that isn’t the least bit afraid to dwell on how hard it can be to become who you are. Or, in this case, how much harder it can be when you’re a boy who’s in love with his bully. Co-written by ...
There have been countless French movies about prostitutes, but none feel remotely like Bertrand Bonello’s mesmerizing “House of Tolerance.” Set within the musky parlors and bedrooms of a Paris brothel at the turn of the 20th Century, this hermetically sealed film’s closest relative is Hou Hsiao-hsien’s “Flowers of Shanghai, as both films almost nev...
Notions of finality and (im)permanence cast a long shadow over Agnès Varda’s moving, funny, life-affirming, and altogether wonderful “Faces Places,” which finds the legendary 88-year-old auteur teaming up with a semi-anonymous street photographer named JR for a whimsical tour of the French countryside. The plan is to drive from one bucolic village ...
8. Feb. 2024 · From Malle to Melville, Carné to Clouzot, this is Time Out’s ultimate guide to the best French movies ever released.
24. Dez. 2019 · Dec 24 2019. Why 35? Because we just couldn't include less than these 35 masterpieces from the past 10 years, with some that will surely become cult classics. What should we remember from the past decade when we look at French cinema?
