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Cognitive film theory, as its advocates often point out, is not actually a unified theory of film. Rather, it is a research tradition—one that originated in the 1980s with the work of a handful of scholars and today boasts a scholarly society, an annually held international conference, and a dedicated journal.
3. Juli 2018 · Since the 90s, cognitive analyses of narration in film by film scholars from the humanities have revolutionised accounts of the comprehension of movies. They informed computational content...
- Ed S. Tan, Ed S. Tan
- e.s.h.tan@uva.nl
- 2018
22. Aug. 2018 · This collection aims to demonstrate that cognitive theory represents an invaluable tool for film scholars and practitioners, allowing them to comprehend the range of documentary’s implications within a wider context than that of just filmmaking or film scholarship.
- Catalin Brylla, Mette Kramer
- 2018
With a foreword by documentary studies pioneer Bill Nichols and contributions from both theorists and practitioners, this volume firmly demonstrates that cognitive theory represents a valuable tool not only for film scholars but also for filmmakers and practice-led researchers.
1. Jan. 2002 · Cognitive film theory emerged as a distinctive research paradigm in film studies in the mid-1980s. This emergence can be explained against the background of two intellectual contexts...
One of the key intentions of cognitive film theory is to understand the cognitive processes involved in the viewing of a film and how this relates to the intentions; and decisions of a filmmaker.
Cognitive film theorists have argued that the comprehension of films depends more on inference than on the decoding emphasized in structuralism. Spectators frame and resolve hypotheses about the narrative enigmas they encounter ( see also hermeneutic code).
