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  1. Umberto D. ist ein Film des italienischen Neorealismus von Vittorio De Sica aus dem Jahr 1952. Inhaltsverzeichnis. 1 Handlung. 2 Hintergrund. 3 Kritik. 4 Auszeichnungen. 5 Weblinks. 6 Einzelnachweise. Handlung. Italien nach dem Ende des Zweiten Weltkriegs.

  2. en.wikipedia.org › wiki › Umberto_DUmberto D. - Wikipedia

    Umberto D. (pronounced [umˈbɛrto di]) is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room.

  3. A retired government worker and his dog struggle to survive on a meagre pension in post-war Rome. Directed by Vittorio De Sica, starring Carlo Battisti, Maria Pia Casilio and Lina Gennari.

    • (28K)
    • Drama
    • Vittorio De Sica
    • 1955-11-07
  4. A neorealist masterpiece by Vittorio De Sica about an elderly pensioner in postwar Italy. The Criterion edition includes a new restoration, a documentary, essays, and an interview with the actress Maria Pia Casilio.

    • Umberto Domenico Ferrari
    • Umberto D.1
    • Umberto D.2
    • Umberto D.3
    • Umberto D.4
    • Umberto D.5
  5. Featuring some beautiful cinematography and strong performances from its primarily amateur cast, Umberto D. is a film about survival in a changing world and finding companionship in a community...

    • (38)
    • Carlo Battisti
    • Vittorio De Sica
    • Rizzoli Film
    • Umberto D.1
    • Umberto D.2
    • Umberto D.3
    • Umberto D.4
  6. Umberto D. ist ein Film von Vittorio De Sica mit Carlo Battisti, Maria-Pia Casilio. Synopsis: Nach Ende des Zweiten Weltkriegs kann der Pensionär Umberto Domenico Ferrari (Carlo Battisti) von...

  7. 5. März 1990 · Their work on Umberto D. moved the French critic André Bazin to call the film “a masterpiece which film history is certainly going to grant a place of honor.” His prediction has indubitably been borne out. Since its initial release, the film has roused critics, particularly for its use of real-time sequences. The long, patient takes ...