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  1. Lady Ottoline Violet Anne Morrell war eine englische Aristokratin und Kunstmäzenin. Zu Bekanntheit brachte sie es vor allem durch ihre gesellschaftliche Rolle als Gastgeberin für einen Kreis von Schriftstellern und Künstlern um den Bloomsbury-Kreis, sowie durch ihre Affären mit mehreren prominenten Zeitgenossen, darunter Bertrand ...

  2. Lady Ottoline Violet Anne Morrell (16 June 1873 – 21 April 1938) was an English aristocrat and society hostess. Her patronage was influential in artistic and intellectual circles, where she befriended writers including Aldous Huxley , Siegfried Sassoon , T. S. Eliot and D. H. Lawrence , and artists including Mark Gertler , Dora ...

  3. 17. Apr. 2024 · Lady Ottoline Morrell was a hostess and patron of the arts who brought together some of the most important writers and artists of her day. A woman of marked individuality and discernment, she was often the first to recognize a talent and assist its possessor—although not a few such relationships.

  4. Lady Ottoline Morrell. (1873-1938), Patron of the arts; half-sister of 6th Duke of Portland; wife of Philip Edward Morrell. Sitter associated with 600 portraits. Artist associated with 1716 portraits.

  5. Lady Ottoline Violet Anne Morrell war eine englische Aristokratin und Kunstmäzenin. Zu Bekanntheit brachte sie es vor allem durch ihre gesellschaftliche Rolle als Gastgeberin für einen Kreis von Schriftstellern und Künstlern um den Bloomsbury-Kreis, sowie durch ihre Affären mit mehreren prominenten Zeitgenossen, darunter Bertrand Russell.

  6. Morrell, Ottoline (1873–1938) English patron of the arts, salonnière, antiwar activist, and memoirist. Name variations: Lady Ottoline Morrell. Born Ottoline Violet Anne Cavendish-Bentinck on June 16, 1873, in London, England; died on April 21, 1938, in London; only daughter and youngest child of Lt.-General Arthur Bentinck and Augusta Mary ...

  7. Lady Ottoline Morrell, the chatelaine of Garsington Manor outside Oxford, was a ferocious socialite, friend and lover of artists and writers, including Augustus John, whom she first met in 1906 and with whom she had a brief affair in 1908. He began this portrait in 1918. When it was exhibited in 1920, most people were critical of it.