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  1. Andrea del Castagno ( Andrea di Bartolo di Bargilla, auch Andrea dal Castagno di Mugello; [1] * um 1418 im Ortsteil Castagno von San Godenzo; † 19. August 1457 in Florenz) war ein italienischer Maler der Renaissance. Er wird zu den einflussreichsten Künstlern der Frührenaissance in Florenz gerechnet. [2] Inhaltsverzeichnis. 1 Leben. 2 Stil.

  2. Andrea del Castagno (Italian: [anˈdrɛːa del kaˈstaɲɲo]) or Andrea di Bartolo di Bargilla (pronounced [anˈdrɛːa di ˈbartolo di barˈdʒilla]; c. 1419 – 19 August 1457) was an Italian Renaissance painter in Florence, influenced chiefly by Masaccio and Giotto di Bondone.

  3. The exact birth date of Andrea di Bartolo di Simone, called Andrea del Castagno, is not known; formerly estimated around 1390 on the basis of Vasari's indications, it has been established as shortly before 1419 by recent research. Andrea was born in a village in the Mugello area near Florence now called Castagno d'Andrea, and was probably ...

  4. Andrea del Castagno (born c. 1419, Castagno d’Andrea, near Florence [Italy]—died August 19, 1457, Florence) was one of the most influential 15th-century Italian Renaissance painters, best known for the emotional power and naturalistic treatment of figures in his work.

  5. Fragment des letzten Abendmahls von Andrea Orcagna (um 1370), Florenz, ehemaliges Refektorium von S. Spirito, Fondazione Romano. Refektorium von Santa Apollonia. Das Letzte Abendmahl (vor 1450), Meisterwerk der Freskomalerei von Andrea del Castagno.

  6. Andrea del Castagno (Andrea di Bartolo di Bargilla, auch Andrea dal Castagno di Mugello; * um 1418 im Ortsteil Castagno von San Godenzo; † 19. August 1457 in Florenz) war ein italienischer Maler der Renaissance. Er wird zu den einflussreichsten Künstlern der Frührenaissance in Florenz gerechnet.

  7. Andrea di Bartolo di Bargilla, detto Andrea del Castagno (Castagno, 1421 – Firenze, 1457), è stato un pittore italiano. Fu uno dei protagonisti della pittura fiorentina nei decenni centrali del XV secolo, assieme a Beato Angelico, Filippo Lippi, Domenico Veneziano e Paolo Uccello.