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Anton Gerard Alexander van Rappard (* 14. Mai 1858 in Zeist; † 21. März 1892 in Santpoort) war ein niederländischer Maler und Zeichner. Er wird der Zweiten Generation der Haager Schule zugerechnet.
Anthon Gerard Alexander van Rappard (14 May 1858, Zeist – 21 March 1892, Santpoort) was a Dutch painter and draughtsman. He was a pupil of Lawrence Alma-Tadema. He was also a friend and mentor of Vincent van Gogh for about four years, who is said to have appreciated him for his social engagement, amongst other reasons.
At the urging of his brother Theo, in 1880 Vincent visited the young Dutch painter Anthon van Rappard, who was studying at the art academy in Brussels. The first meeting between this sprig of the nobility and Vincent the ‘drifter’ was rather awkward, but soon they became friends.
Anthon van Rappard. dutch, 1858 - 1892. THREE BLIND BRUSHMAKERS AND A BOOKKEEPER IN THE INSTITUTE FOR THE BLIND IN UTRECHT, 1891. signed A.v. RAPPARD and dated 91 (lower right) pastel on paper laid down on straw board. 26 3/4 by 19 3/8 in. (68 by 50 cm.) Enquire. Further images. Share.
Van Gogh and Anton van Rappard. In November 80,Vincent met Van Rappard thanks toTheo, a young Dutch painter with whom he would develop a true friendship. Though they had different backgrounds and personalities, they would write long letters to each other, where they talked mainly about technics, shared their skills and engravings they both ...
Anton Gerard Alexander van Rappard (* 14. Mai 1858 in Zeist; † 21. März 1892 in Santpoort) war ein niederländischer Maler und Zeichner. Er war Schüler von Lawrence Alma-Tadema und für etwa vier Jahre in Brüssel Freund und Mentor von Vincent van Gogh, der ihn unter anderem wegen seines sozialen Engagements wertschätzte.
Learn about the artist's sketch of Three Brushmakers and a Bookkeeper in the Institute for the Blind in Utrecht, 1891, and its relation to his friendship with Vincent van Gogh. The pastel is one of the few works by Van Rappard in the US and was recently acquired by Gallery 19C in Beverly Hills.
