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Member of. Stars of the Lid. A Winged Victory for the Sullen. The Dead Texan. Aix Em Klemm. Sleepingdog. Website. www .artificialpinearchfailures .org. Adam Bryanbaum Wiltzie (born September 17, 1969) [1] is an American composer and sound engineer based in Brussels, Belgium.
Adam is probably best known for his work as founder of seminal musical projects Stars of the Lid and A Winged Victory for the Sullen. Wiltzie has written the original scores for several film and television productions including Salero, The Yellow Birds and Iris. He also collaborated with Jóhann Jóhannsson on his scores for The Theory of ...
Stars of the Lid is an American ambient music project that formerly consisted of Brian McBride and Adam Wiltzie. The duo formed in Austin, Texas, in 1993. They have been acclaimed for their music incorporating droning, effects-treated guitars along with piano, strings, and horns, described as "divine, classical drone without the ...
The Dead Texan was an audio-visual musical duo comprising Adam Wiltzie and Christina Vantzou. Wiltzie is better known as one half of the ambient project Stars of the Lid. Vantzou has since released a series of solo albums of ambient music composed for strings and synthesizers. History.
Adam Wiltzie lebt derzeit in Brüssel. Beide Künstler betrieben neben ihrem Engagement mit SOTL verschiedene Solo-Projekte. 2008 tauchte im Internet ein Teaser für einen geplanten und niemals realisierten Stars of the Lid-Film auf, in dem als Datum 2010 genannt wurde. Brian McBride starb im August 2023 im Alter von 53 Jahren.
Adam Wiltzie. Belgium. Adam may be best known for founding the seminal ambient classical projects Stars of the Lid, The Dead Texan, Aix Em Klemm, and A Winged Victory for the Sullen, He has also composed music for productions including Salero, The Yellow Birds, Iris, American Woman & Kevin MacDonalds tragic Whitney Houston documentary.
The duo, composed of Adam Wiltzie and Dustin O'Halloran, have previously composed scores for numerous films and televisions, and so they were commissioned to compose the score for a 90-minute multimedia stage production directed by video designer Leo Warner. The album was essentially conceived as the score of the dance theatre ...
