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  1. Cyril Raker „Cy“ Endfield (* 10. November 1914 in Scranton, Pennsylvania; † 16. April 1995 in Shipston-on-Stour, England) war ein US-amerikanischer Regisseur, Zauberkünstler und Erfinder, der als Opfer der McCarthy-Ära in Großbritannien arbeitete. Zudem war er auch als Drehbuchautor tätig.

  2. en.wikipedia.org › wiki › Cy_EndfieldCy Endfield - Wikipedia

    Cyril Raker Endfield (November 10, 1914 – April 16, 1995) was an American film director, who at times also worked as a writer, theatre director, magician and inventor. Born in Scranton, Pennsylvania, he worked in the New York theatre in the late 1930s before moving to Hollywood in 1940.

  3. The film was directed by American screenwriter Cy Endfield and produced by Stanley Baker and Endfield, with Joseph E. Levine as executive producer. The screenplay was by Endfield and historical writer John Prebble, based on Prebble's 1958 Lilliput article "Slaughter in the Sun".

  4. Duell am Steuer ist ein britisches Filmdrama von Regisseur Cy Endfield aus dem Jahr 1957. Der Film wurde von der Rank Organisation und Aqua Film Productions produziert. In den Hauptrollen spielen Stanley Baker, Herbert Lom, Peggy Cummins und Patrick McGoohan.

  5. The Sound of Fury (reissued as Try and Get Me!) is a 1950 American crime film noir [5] directed by Cy Endfield and starring Frank Lovejoy, Kathleen Ryan, Richard Carlson. [6] The film is based on the 1947 novel The Condemned by Jo Pagano, who also wrote the screenplay.

  6. www.imdb.com › name › nm0256831Cy Endfield - IMDb

    Cy Endfield. Director: Zulu. The son of a struggling businessman, Cy Endfield--born Cyril Raker Endfield--worked hard to be admitted to Yale University in 1933. While completing his education he became enamored with progressive theatre and appeared in a New Haven production of a minor Russian play in 1934. He was also profoundly influenced by ...

  7. The son of a struggling businessman, Cy Endfield--born Cyril Raker Endfield--worked hard to be admitted to Yale University in 1933. While completing his education he became enamored with progressive theatre and appeared in a New Haven production of a minor Russian play in 1934.