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  1. Oktober 1955) war ein japanischer Komponist. Inhaltsverzeichnis. 1 Leben und Wirken. 2 Anmerkungen. 3 Literatur. 4 Weblinks. Leben und Wirken. Hayasaka Fumio brachte sich das Komponieren selbst bei. 1934 gründete er mit seinem Komponisten-Kollegen Ifukube Akira (1914–2006) die „Shin ongaku remmei“ (新音楽連盟) – „Liga für neue Musik“.

  2. Fumio Hayasaka (早坂 文雄 Hayasaka Fumio; August 19, 1914 – October 15, 1955) was a Japanese composer of classical music and film scores. [1] Early life. Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō.

  3. 早坂 文雄 Hayasaka Fumio; ur. 19 sierpnia 1914 w Sendai, zm. 15 października 1955 w Tokio) – japoński kompozytor muzyki poważnej i filmowej . Życiorys. Początki. Urodził się w Sendai na wyspie Honsiu. Pochodził z bogatej rodziny, która po stracie majątku przeniosła się do Sapporo na Hokkaido.

  4. Fumio Hayasaka (早坂 文雄, Hayasaka Fumio?) est un compositeur japonais, né le 19 août 1914 à Sendai et mort de la tuberculose le 15 octobre 1955 à Tokyo. Il est notamment connu comme auteur de musiques de films, majoritairement pour ceux réalisés par Kenji Mizoguchi et Akira Kurosawa.

  5. www.aseatatthepiano.com › composers › fumiyo-hayasakaFumiyo Hayasaka

    Fumio Hayasaka (Hayasaka Fumio; August 19, 1914 – October 15, 1955) was a Japanese composer of classical music and film scores. Hayasaka was born in the city of Sendai on the main Japanese island of Honshū. In 1918, Hayasaka and his family moved to Sapporo on the northern island of Hokkaidō.

  6. Composer Fumio Hayasaka died while working on I Live in Fear. I Live in Fear was the last film that composer Fumio Hayasaka worked on before dying of tuberculosis in 1955. He had been Akira Kurosawa 's close friend since Drunken Angel in 1948 and collaborated with him on several films.

  7. structed his composer Fumio Hayasaka (1914-55) to compose a score uti lizing traditional Japanese instruments for his 1954 film adaptation of the ancient tale. The two men had been working together since 1950, and many of their previous collaborations, such as Oyu-sama (Miss Oyu, 1951) and Ugetsu